Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
The wood-work, in cedar, of the great banqueting halls, in the style of
Henry II., had been carved by the most skilled Flemish workmen. The
fencing-room, the large Gothic windows of which looked on to the park,
contained a curious collection of arms of all periods, from the heavy,
damasked weapons of the forefathers of the house to the modern musket;
while the chapel, whose service was performed by a pope who lived at the
château the year round, was a marvel of Byzantine art.
As for the suite of apartments of the princess, it was easy for her to
think in entering it that she had not left St. Petersburg, so scrupulous
had the prince been about the furnishing of it, and every petty detail.
Besides the principal bed and reception-rooms there were forty guest
chambers. The stables could accommodate at least a hundred horses, and
the kennels were filled by the handsomest packs of hounds in the
country.
The servants' quarters were at the end of the great shady park full of
old trees, where huntsmen, grooms, and all the servants, to the number
of forty or fifty, who were not employed within the mansion, were
lodged. Counting in the gamekeepers who looked after his ponds and
woods, the master of Pampeln had thus at his orders quite a small army,
disciplined, alert, and wholly devoted to him.
The pride can easily be imagined that Lise Olsdorf felt when a few days
after her arrival her husband conducted her over this splendid domain of
which she was to be the queen, and wished to be the benefactress.
A week later her mother and General Podoi arrived. About a score of
guests soon followed them, and the hunting season began in full earnest.
The princess had scarcely the time to become used to this stirring
pleasure. Being _enceinte_, she was obliged to remain comparatively
quiet, which she did very willingly.
From this time forth she was satisfied to go with the hunters in her
carriage, as far as the state of the roads would permit. Then with her
mother and some women friends she would return to the château, where in
the evening she did the honors of the house with a grace and ease that
charmed the guests.
Toward the end of August, Lise, to the great joy of her husband, was
delivered of a son, whom they named Alexander. The happy event formed an
excuse for a series of entertainments, which brought the season to a
close in princely fashion.
September came, and everybody was making the best of their way back to
St. Petersburg. The Olsdorf mansion was open again. The princess often
stole away from the drawing-room to be with her son.
Lise Olsdorf made a good mother. For two years she was not a single day
absent from her child. She had scruples even about trusting him for a
few hours to strange hands, and she nursed him through all his infantile
troubles.
Public-domain text, read in full here on John Shaqi.
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