Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
Among curious examples of the Explicit may be quoted the following:
"It is finished. Let it be finished, and let the writer go out for
a drink." A French monk adds: "Let a pretty girl be given to the
writer for his pains." Ludovico di Cherio, a famous illuminator
of the fifteenth century, has this note at the end of a book upon
which he had long been engaged: "Completed on the vigil of the
nativity of Our Lord Jesus Christ, on an empty stomach." (Whether
this refers to an imposed penance or fast, or whether Ludovico
considered that the offering of a meek and empty stomach would be
especially acceptable, the reader may determine.)
There is an amusing rhymed Explicit in an early fifteenth century
copy of Froissart:
"I, Raoul Tanquy, who never was drunk
(Or hardly more than judge or monk,)
On fourth of July finished this book,
Then to drink at the Tabouret myself took,
With Pylon and boon companions more
Who tripe with onions and garlic adore."
But if some of the monks complained or made sport of their work,
there were others to whom it was a divine inspiration, and whose
affection for their craft was almost fanatic, an anecdote being
related of one of them, who, when about to die, refused to be parted
from the book upon which he had bestowed much of his life's energy,
and who clutched it in his last agony so that even death should
not take it from him. The good Othlonus of Ratisbon congratulates
himself upon his own ability in a spirit of humility even while
he rejoices in his great skill; he says: "I think proper to add
an account of the great knowledge and capacity for writing which
was given me by the Lord in my childhood. When as yet a little
child, I was sent to school and quickly learned my letters, and
I began long before the time of learning, and without any order
from my master, to learn the art of writing. Undertaking this in a
furtive and unusual manner, and without any teacher, I got a habit
of holding my pen wrongly, nor were any of my teachers afterwards
able to correct me on that point." This very human touch comes down
to us through the ages to prove the continuity of educational
experience! The accounts of his monastic labours put us to the blush
when we think of such activity. "While in the monastery of Tegernsee
in Bavaria I wrote many books.... Being sent to Franconia while I
was yet a boy, I worked so hard writing that before I had returned
I had nearly lost my eyesight. After I became a monk at St. Emmerem,
I was appointed the school-master. The duties of the office so fully
occupied my time that I was able to do the transcribing I was
interested in only by nights and in holidays.... I was, however,
able, in addition to writing the books that I had myself composed,
and the copies which I gave away for the edification of those who
asked for them, to prepare nineteen missals, three books of the
Gospels and Epistles, besides which I wrote four service books for
Matins.
Public-domain text, read in full here on John Shaqi.
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