Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
I wrote in addition several other books for the brethren
at Fulda, for the monks at Hirschfeld, and at Amerbach, for the
Abbot of Lorsch, for certain friends at Passau, and for other
friends in Bohemia, for the monastery at Tegernsee, for the
monastery at Preyal, for that at Obermunster, and for my sister's
son. Moreover, I sent and gave at different times sermons, proverbs,
and edifying writings. Afterward old age's infirmities of various
kinds hindered me." Surely Othlonus was justified in retiring when
his time came, and enjoying some respite from his labours!
Religious feeling in works of art is an almost indefinable thing,
but one which is felt in all true emanations of the conscientious
spirit of devotion. Fra Angelico had a special gift for expressing
in his artistic creations is own spiritual life; the very qualities
for which he stood, his virtues and his errors,--purity,
unquestioning faith in the miraculous, narrowness of creed, and
gentle and adoring humility,--all these elements are seen to
completeness in his decorative pictures. Perhaps this is because
he really lived up to his principles. One of his favourite sayings
was "He who occupies himself with the things of Christ, must ever
dwell with Christ."
It is related that, in the Monastery of Maes Eyck, while the
illuminators were at work in the evening, copying Holy Writ, the
devil, in a fit of rage, extinguished their candles; they, however,
were promptly lighted again by a Breath of the Holy Spirit, and
the good work went on! Salvation was supposed to be gained through
conscientious writing. A story is told of a worldly and frivolous
brother, who was guilty of many sins and follies, but who, nevertheless,
was an industrious scribe. When he came to die, the devil claimed
his soul. The angels, however, brought before the Throne a great
book of religious Instructions which he had illuminated, and for
every letter therein, he received pardon for one sin. Behold! When
the account was completed, there proved to be one letter over!
the narrator adds naively, "And it was a very big book."
[Illustration: ILLUMINATION BY GHERART DAVID OF BRUGES, 1498; ST.
BARBARA]
Perhaps more than any books executed in the better period, after
the decline had begun, were the Books of Hours, containing the
numerous daily devotions which form part of the ritual of the Roman
Church. Every well appointed lady was supposed to own a copy, and
there is a little verse by Eustache Deschamps, a poet of the time
of Charles V., in which a woman is supposed to be romancing about
the various treasures she would like to possess. She says:
"Hours of Our Lady should be mine,
Fitting for a noble dame,
Of lofty lineage and name;
Wrought most cunningly and quaint,
In gold and richest azure paint.
Rare covering of cloth of gold
Full daintily it shall enfold,
Or, open to the view exposed,
Two golden clasps to keep it closed."
Public-domain text, read in full here on John Shaqi.
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