Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
A craft may easily be practised without art, and still serve its
purpose; the alliance of the two is a means of giving pleasure
as well as serving utility. But it is a mistake to suppose that
because a design is artistic, its technical rendering is any the
less important. Frequently curious articles are palmed off on us,
and designated as "Arts and Crafts" ornaments, in which neither
art nor craft plays its full share. Art does not consist only in
original, unusual, or unfamiliar designs; craft does not mean hammering
silver so that the hammer marks shall show; the best art is that
which produces designs of grace and appropriateness, whether they
are strikingly new or not, and the best craftsman is so skilful
that he is able to go beyond the hammer marks, so to speak, and
to produce with the hammer a surface as smooth as, and far more
perfect than, that produced by an emery and burnisher. Some people
think that "Arts and Crafts" means a combination which allows of
poor work being concealed under a mask of aesthetic effect. Labour
should not go forth blindly without art, and art should not proceed
simply for the attainment of beauty without utility,--in other
words, there should be an alliance between labour and art.
One principle for which craftsmen should stand is
a respect for their own tools: a frank recognition of the methods
and implements employed in constructing any article. If the article
in question is a chair, and is really put together by means of
sockets and pegs, let these constructive necessities appear, and do
not try to disguise the means by which the result is to be attained.
Make the requisite feature a beauty instead of a disgrace.
It is amusing to see a New England farmer build a fence. He begins
with good cedar posts,--fine, thick, solid logs, which are at least
genuine, and handsome so far as a cedar post is capable of being
handsome. You think, "Ah, that will be a good unobjectionable fence."
But, behold, as soon as the posts are in position, he carefully lays
a flat plank vertically in front of each, so that the passer-by
may fancy that he has performed the feat of making a fence of flat
laths, thus going out of his way to conceal the one positive and
good-looking feature in his fence. He seems to have some furtive
dread of admitting that he has used the real article!
Public-domain text, read in full here on John Shaqi.
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