Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance — John Shaqi
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
The London City Companies are rich in their possessions of valuable
plate. Some of the cups are especially beautiful. The Worshipful
Company of Skinners owns some curious loving cups, emblematic of
the names of the donors. There are five Cockayne Loving Cups, made
in the form of cocks, with their tail feathers spread up to form
the handles. The heads have to be removed for drinking. These cups
were bequeathed by William Cockayne, in 1598. Another cup is in
the form of a peacock, walking with two little chicks of minute
proportions on either side of the parent bird. This is inscribed,
"The gift of Mary the daughter of Richard Robinson, and wife to
Thomas Smith and James Peacock, Skinners." Whether the good lady
were a bigamist or took her husbands in rotation, does not transpire.
An interesting cup is owned by the Vintners in London, called the
Milkmaid. The figure of a milkmaid, in laced bodice, holds above
her head a small cup on pivots, so that it finds its level when
the figure is inverted, as is the case when the cup is used, the
petticoat of the milkmaid forming the real goblet. It is constructed
on the same principle as the German figures of court ladies holding
up cups, which are often seen to-day, made on the old pattern. The
cups in the case of this milkmaid are both filled with wine, and
it is quite difficult to drink from the larger cup without spilling
from the small swinging cup which is then below the other. Every
member is expected to perform this feat as a sort of initiation.
It dates from 1658.
[Illustration: THE "MILKMAID CUP"]
One of the most beautiful Corporation cups is at Norwich, where
it is known as the "Petersen" cup. It is shaped like a very thick
and squat chalice, and around its top is a wide border of decorative
lettering, bearing the inscription, "THE + MOST + HERE + OF. + IS
+ DUNNE + BY + PETER + PETERSON +." This craftsman was a Norwich
silversmith of the sixteenth century, very famous in his day, and
a remarkably chaste designer as well. A beautiful ivory cup twelve
inches high, set in silver gilt, called the Grace Cup, of
Thomas a Becket, is inscribed around the top band, "_Vinum tuum bibe
cum gaudio_." It has a hall-mark of a Lombardic letter H, signifying
the year 1445. It is decorated by cherubs, roses, thistles, and
crosses, relieved with garnets and pearls. On another flat band
is the inscription: "_Sobrii estote_," and on the cover,
in Roman capitals, "_Ferare God_." It is owned by the Howard family,
of Corby.
Tankards were sometimes made of such crude materials as leather
(like the "lether bottel" of history), and of wood. In fact, the
inventory of a certain small church in the year 1566 tells of a
"penny tankard of wood," which was used as a "holy water stock."
Public-domain text, read in full here on John Shaqi.
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