Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
A quaint account is given by the Monk of St. Gall
about a bell ordered by Charlemagne. Charlemagne having admired
the tone of a certain bell, the founder, named Tancho, said to
him: "Lord Emperor, give orders that a great weight of copper be
brought to me that I may refine it, and instead of tin give me as
much silver as I need,--a hundred pounds at least,--and I will
cast such a bell for you that this will seem dumb in comparison
to it." Charlemagne ordered the required amount of silver to be
sent to the founder, who was, however, a great knave. He did not
use the silver at all, but, laying it aside for his own use, he
employed tin as usual in the bell, knowing that it would make a
very fair tone, and counting on the Emperor's not observing the
difference. The Emperor was glad when it was ready to be heard,
and ordered it to be hung, and the clapper attached. "That was soon
done," says the chronicler, "and then the warden of the church,
the attendants, and even the boys of the place, tried, one after
the other, to make the bell sound. But all was in vain; and so
at last the knavish maker of the bell came up, seized the rope,
and pulled at the bell. When, lo! and behold! down from on high
came the brazen mass; fell on the very head of the cheating brass
founder; killed him on the spot; and passed straight through his
carcase and crashed to the ground.... When the aforementioned weight
of silver was found, Charles ordered it to be distributed among
the poorest servants of the palace."
There is record of bronze bells in Valencia as early as 622, and
an ancient mortar was found near Monzon, in the ruins of a castle
which had formerly belonged to the Arabs. Round the edge of this
mortar was the inscription: "Complete blessing, and ever increasing
happiness and prosperity of every kind and an elevated and happy
social position for its owner." The mortar was richly ornamented.
At Croyland, Abbot Egebric "caused to be made two great bells which
he named Bartholomew and Bethelmus, two of middle size, called
Turketul and Tatwyn, and two lesser, Pega and Bega." Also at Croyland
were placed "two little bells which Fergus the brass worker of St.
Botolph's had lately given," in the church tower, "until better
times," when the monks expressed a hope that they should improve
all their buildings and appointments.
Oil that dropped from the framework on which church bells were
hung was regarded in Florence as a panacea for various ailments.
People who suffered from certain complaints were rubbed with this
oil, and fully believed that it helped them.
Public-domain text, read in full here on John Shaqi.
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