“Why, here—this,” he said handing me the paper.
“Mercy upon me!” I exclaimed, thoroughly amazed. “I was not aware
that I had written any thing.”
The last half dozen pages were covered with written words—blotted,
scrawling, scarcely decipherable, but unmistakably written words.
“Well, certainly, this is most astonishing. Whatever it is, I have
written it unawares.”
I dropped the manuscript and leaned back in my chair, dumbfounded by
this latest development.
“Here,” said Merivale, “is the point where the music ends and the
words begin.”
The music ended, the words began, just at that point where last night
the shriek of malevolent laughter had interfered with the current of
melody. From that point to the bottom of the last page not another bar
of music was discernible—not a note of the incomprehensible witches’
chorus—simply words, words that I dared not read.
“This is magic, this is ghost-work,” I said. “It appalls me.
Look at it, Merivale. Does it make sense? Or is it simply a mass of
scribbling without rhyme or reason?”
“Ye-es,” rejoined Merivale slowly, “it seems to make sense. The
penmanship is pretty blind, but the words appear to hang together. It
begins, ‘I walked re—re—reluctantly’—next word very
bad—’I walked reluctantly—reluctantly—away’—oh yes, that’s
it—’away—from the house. By Jove, this is singular! Shall I go
on?”
“Yes, go on,” I said faintly. There was panic in my heart.
Merivale continued, picking his way laboriously. The following is what
he read.
XIV.
Public-domain text, read in full here on John Shaqi.
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