Psychological fiction; Science fiction; Short stories; Time travel -- Fiction
"The photographs," he continued, as if lecturing, "were of characters
projected by the sphere when placed before a focused light. The sphere
was transparent, you see, imbedded with dark microscopic specks. By
moving the sphere a certain distance each time, there was a total
projection of three hundred and sixty different characters in eighteen
different orderings. Or nineteen different orderings if you count one
which was a list of all the characters."
I made a mental note of the numbers. I felt they were significant.
"As I said," he continued, "I obtained the photographs of the
characters. Very strange shapes, totally unlike the characters of
Oriental languages, but yet that is the closest way to describe them."
He jerked forward in his chair, "Except, of course, ostensively."
"Later," I said. I wanted to get through the preliminaries first. There
would be time later to see the photographs.
* * * * *
"The characters projected by the sphere," he said, "weren't like the
characters of any known language." He paused dramatically. "There was
reason to believe they had origin in an unknown culture. A culture more
scientifically advanced than our own."
"And the reasons for this supposition?" I asked.
"The material ... the material of the sphere. It could only be roughly
classified as _ferro-plastic_. Totally unknown, amazing imperviousness.
A synthetic material, hardly the product of a former culture."
"From Mars?" I said, smiling.
"There were all kinds of conjectures, but, of course, the important
thing was to see if the projection of characters was a message. The
message, if any, would mean more than any conjecture."
"You translated it?"
_He polished the coin on his jacket. "You won't dare believe it," he
said sharply._
He cleared his throat and stiffened into a more rigid posture. "It
wasn't exactly translation. You see, _to us_ none of the characters had
designation. They were just characters."
"So it was a problem of decoding?" I asked.
"As it turned out, no. Decoding is dependent on knowledge of language
characteristics--characteristics of known languages. Decoding was
tried, but without success. No, what we had to find was a key to the
language."
"You mean like the Rune Stone?"
"More or less. In principle, we needed a picture of a cow, and a sign
of meaning indicating one of the characters.
"For me, there was no possibility of finding similarities between the
characters and characters of other languages--that would require
tremendous linguistic knowledge and library facilities. Nor could I use
a decoding approach--that would require special knowledge of techniques
and access to electronic computers and other mechanical aids. No, I had
to work on the assumption that the key to the sphere was implicit in
the sphere."
"You hoped to find the key to the language in the language itself?"
Public-domain text, read in full here on John Shaqi.
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