English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
“In a way you did,” said Jean, staring upon the cornice. “And I loved
you. Then we got married, and it was all over. You ought to count more
with me—now.” She sat up there, with a laugh, and waved a small hand.
“My dear, you count less. ‘Less’? You don’t count at all—now.
We’ve—we’ve pulled our fire-cracker. We pulled it a year ago.” She
threw herself back on the pillows, inhaled deeply and let the smoke
steal out of her beautiful mouth. “Don’t think I’m getting at you. I’m
not at all. I’m just making faces at Fate.”
“Why?”
“Because I’m disappointed. When one was married I thought one got down
to things. I thought one found the emotions that poets write
about—love, hope, joy, grief, hate. They’re the foundation of life. I
brushed against them all when I was engaged. I imagine you did too—in a
sort of way.”
Pauncefote shifted upon his chair.
“We’re much better out of it,” he said. “Give me a quiet life. Emotion’s
all very well, but it’s sticky stuff.”
“It isn’t fashionable,” said Jean.
“For a very good reason,” said her husband. “It isn’t convenient. We’re
just beginning to appreciate the wisdom of eliminating mental
inconvenience. Look at Dickens, Thackeray, and the rest. Yarn after yarn
founded on human emotion. Sighs and yells and tears because someone’s
got stuck. That’s what you get for playing with fire. Now it’s dawning
on people that use their brains that if you let sleeping dogs lie you
won’t be chewed. An’ so we go quietly along—_without looking for
trouble_. Hang it all, Jean, I think we’ve done very well. We don’t get
in each other’s way. We——”
“We should,” said Jean. “We ought to. That’s my point. Marriage means
getting in each other’s way. If you don’t, you might as well not be
married. One’s style ought to be cramped. Not necessarily unpleasantly
cramped, but cramped. If you were just going to drive and a priceless
girl came up and asked you the time—well, she’d ’ve got in your way,
but that wouldn’t worry you. In fact, if you could square your partner,
you’d sling your driver away and take her into the pine-woods to look
for clocks.”
“I shouldn’t at all,” said Pauncefote uneasily. “I should direct her
to——”
“No doubt—if you were playing with me,” said Jean dryly. “Appearances
have to be kept up. Never mind. The point is that one’s style can be
agreeably cramped. Marriage can cramp it pleasantly or unpleasantly, but
it ought to cramp it. Look at us. We aren’t affected at all. We don’t
care. If we did, we shouldn’t dare show it. It—it isn’t done. . . .
Life’s like ale—good, strong ale. History will show you that. But we
don’t get further than the froth. That’s all right when you’re a child,
but if you’re not going to get down to the liquor when you’re married,
when are you?”
“My dear,” said her husband, “why worry? I’ve drunk some damned bad
beer.”
“Haven’t you drunk any good?”
Oliver sighed.
“Of course,” he said, “if you’re not happy, Jean——”
“I’m not. Neither are you. We don’t know what it means.”
Public-domain text, read in full here on John Shaqi.
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