About the whole place there was evidence of departed glory. In the
great white buildings which rose from the labyrinth of shrubbery like
grim ghosts of the past; in the rows of cabins, formerly the dwellings
of a horde of happy-hearted negroes, everywhere was evidence of the
bygone prodigal days. The house, of colonial style, with its series
of tall columns standing about the broad colonnade, was partially
screened by the live oaks and was set some distance back from the big
road. These encircling columns were built of brick, with a coating of
plaster, once as white as the teeth of Uncle Simon, the plantation
white-washer, who in former days would put an immaculate dress on
them regularly once a month by means of an elevated step-ladder,
but now Uncle Simon’s labors were done. The neglected columns were
crumbling with age and sadly splotched with the red of exposed masonry.
At one side of the verandah there spread the delicate green of
the star-jassamine, with its miniature constellations flecking the
background. Through the vista, leading to the house, from the big gate
in front, flashed the crimson of a flowering-pear in full blossom. The
blinds of the house that had once been green, were now hanging from
their hinges, weather-stained, giving full view of a number of broken
window panes, in one of which, on the second story, was perched a wren,
whose energetic chattering over her nest hardby was the most decided
indication of active life.
In the rear of the buildings stretched the cabins. To the right of
them were the stables and the carriage house, with its weather vane of
a flying steed on the top, but for years the most vigorous gales had
failed to spur this steed to action and its tail, at one time proudly
aflaunt to the breeze, had yielded to time and rust, and, like that of
Tam o’Shanter’s mare, knew naught of direction. There was the dreary
stillness of desolation over all things. But still a hospitable glow
was in the summer sunshine and shone as well in the eyes of the old
master.
Esther took off her hat when she got into the depths of the woods and
drew out her violin. “I will amuse the boy,” she thought, “if I play to
him,” for she had tired of talking against the rumbling of the wagon
and its load. In his way, he appreciated her motive, for now and again
he called back to her, awkwardly commending her, and urging her to
continue. Near the spring they saw the negro washerwomen, with sleeves
rolled to their shining shoulders, bending over their tubs; faded, limp
skirts, bloused through apron belts, and dangled about their bare legs.
A big wash kettle heaped with white linen stood to one side. Around it
a fire was burning low for want of fuel.
Public-domain text, read in full here on John Shaqi.
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