Comedy plays; Exiles -- Drama; Fathers and daughters -- Drama; Pastoral drama
SCENE III. Another part of the Forest
Enter Touchstone and Audrey; Jaques at a distance observing them.
TOUCHSTONE.
Come apace, good Audrey. I will fetch up your goats, Audrey. And how,
Audrey? Am I the man yet? Doth my simple feature content you?
AUDREY.
Your features, Lord warrant us! What features?
TOUCHSTONE.
I am here with thee and thy goats, as the most capricious poet, honest
Ovid, was among the Goths.
JAQUES.
[_Aside_.] O knowledge ill-inhabited, worse than Jove in a thatched
house!
TOUCHSTONE.
When a man’s verses cannot be understood, nor a man’s good wit seconded
with the forward child, understanding, it strikes a man more dead than
a great reckoning in a little room. Truly, I would the gods had made
thee poetical.
AUDREY.
I do not know what “poetical” is. Is it honest in deed and word? Is it
a true thing?
TOUCHSTONE.
No, truly; for the truest poetry is the most feigning, and lovers are
given to poetry, and what they swear in poetry may be said, as lovers,
they do feign.
AUDREY.
Do you wish, then, that the gods had made me poetical?
TOUCHSTONE.
I do, truly, for thou swear’st to me thou art honest. Now if thou wert
a poet, I might have some hope thou didst feign.
AUDREY.
Would you not have me honest?
TOUCHSTONE.
No, truly, unless thou wert hard-favoured; for honesty coupled to
beauty is to have honey a sauce to sugar.
JAQUES.
[_Aside_.] A material fool!
AUDREY.
Well, I am not fair, and therefore I pray the gods make me honest.
TOUCHSTONE.
Truly, and to cast away honesty upon a foul slut were to put good meat
into an unclean dish.
AUDREY.
I am not a slut, though I thank the gods I am foul.
TOUCHSTONE.
Well, praised be the gods for thy foulness; sluttishness may come
hereafter. But be it as it may be, I will marry thee. And to that end I
have been with Sir Oliver Martext, the vicar of the next village, who
hath promised to meet me in this place of the forest and to couple us.
JAQUES.
[_Aside_.] I would fain see this meeting.
AUDREY.
Well, the gods give us joy!
TOUCHSTONE.
Amen. A man may, if he were of a fearful heart, stagger in this
attempt, for here we have no temple but the wood, no assembly but
horn-beasts. But what though? Courage! As horns are odious, they are
necessary. It is said, “Many a man knows no end of his goods.” Right.
Many a man has good horns and knows no end of them. Well, that is the
dowry of his wife; ’tis none of his own getting. Horns? Even so. Poor
men alone? No, no, the noblest deer hath them as huge as the rascal. Is
the single man therefore blessed? No. As a walled town is more worthier
than a village, so is the forehead of a married man more honourable
than the bare brow of a bachelor. And by how much defence is better
than no skill, by so much is horn more precious than to want.
Enter Sir Oliver Martext.
Here comes Sir Oliver. Sir Oliver Martext, you are well met. Will you
dispatch us here under this tree, or shall we go with you to your
chapel?
Public-domain text, read in full here on John Shaqi.
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