Comedy plays; Exiles -- Drama; Fathers and daughters -- Drama; Pastoral drama
ROSALIND.
A traveller! By my faith, you have great reason to be sad. I fear you
have sold your own lands to see other men’s. Then to have seen much and
to have nothing is to have rich eyes and poor hands.
JAQUES.
Yes, I have gained my experience.
ROSALIND.
And your experience makes you sad. I had rather have a fool to make me
merry than experience to make me sad—and to travel for it too.
Enter Orlando.
ORLANDO.
Good day and happiness, dear Rosalind!
JAQUES.
Nay, then, God be wi’ you, an you talk in blank verse.
ROSALIND.
Farewell, Monsieur Traveller. Look you lisp and wear strange suits;
disable all the benefits of your own country; be out of love with your
nativity, and almost chide God for making you that countenance you are,
or I will scarce think you have swam in a gondola.
[_Exit Jaques._]
Why, how now, Orlando, where have you been all this while? You a lover!
An you serve me such another trick, never come in my sight more.
ORLANDO.
My fair Rosalind, I come within an hour of my promise.
ROSALIND.
Break an hour’s promise in love? He that will divide a minute into a
thousand parts, and break but a part of the thousand part of a minute
in the affairs of love, it may be said of him that Cupid hath clapped
him o’ the shoulder, but I’ll warrant him heart-whole.
ORLANDO.
Pardon me, dear Rosalind.
ROSALIND.
Nay, an you be so tardy, come no more in my sight. I had as lief be
wooed of a snail.
ORLANDO.
Of a snail?
ROSALIND.
Ay, of a snail, for though he comes slowly, he carries his house on his
head—a better jointure, I think, than you make a woman. Besides, he
brings his destiny with him.
ORLANDO.
What’s that?
ROSALIND.
Why, horns, which such as you are fain to be beholding to your wives
for. But he comes armed in his fortune and prevents the slander of his
wife.
ORLANDO.
Virtue is no horn-maker and my Rosalind is virtuous.
ROSALIND.
And I am your Rosalind.
CELIA.
It pleases him to call you so, but he hath a Rosalind of a better leer
than you.
ROSALIND.
Come, woo me, woo me, for now I am in a holiday humour, and like enough
to consent. What would you say to me now, an I were your very, very
Rosalind?
ORLANDO.
I would kiss before I spoke.
ROSALIND.
Nay, you were better speak first, and when you were gravelled for lack
of matter, you might take occasion to kiss. Very good orators, when
they are out, they will spit; and for lovers lacking—God warn
us—matter, the cleanliest shift is to kiss.
ORLANDO.
How if the kiss be denied?
ROSALIND.
Then she puts you to entreaty, and there begins new matter.
ORLANDO.
Who could be out, being before his beloved mistress?
ROSALIND.
Marry, that should you, if I were your mistress, or I should think my
honesty ranker than my wit.
ORLANDO.
What, of my suit?
ROSALIND.
Not out of your apparel, and yet out of your suit. Am not I your
Rosalind?
ORLANDO.
I take some joy to say you are because I would be talking of her.
ROSALIND.
Well, in her person, I say I will not have you.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account