Comedy plays; Exiles -- Drama; Fathers and daughters -- Drama; Pastoral drama
CELIA. Why, cousin! why, Rosalind! Cupid have mercy!
Not a word?
ROSALIND. Not one to throw at a dog.
CELIA. No, thy words are too precious to be cast away upon
curs;
throw some of them at me; come, lame me with reasons.
ROSALIND. Then there were two cousins laid up, when the one
should
be lam'd with reasons and the other mad without any.
CELIA. But is all this for your father?
ROSALIND. No, some of it is for my child's father. O, how full
of
briers is this working-day world!
CELIA. They are but burs, cousin, thrown upon thee in holiday
foolery; if we walk not in the trodden paths, our very
petticoats
will catch them.
ROSALIND. I could shake them off my coat: these burs are in my
heart.
CELIA. Hem them away.
ROSALIND. I would try, if I could cry 'hem' and have him.
CELIA. Come, come, wrestle with thy affections.
ROSALIND. O, they take the part of a better wrestler than
myself.
CELIA. O, a good wish upon you! You will try in time, in
despite of
a fall. But, turning these jests out of service, let us talk
in
good earnest. Is it possible, on such a sudden, you should
fall
into so strong a liking with old Sir Rowland's youngest son?
ROSALIND. The Duke my father lov'd his father dearly.
CELIA. Doth it therefore ensue that you should love his son
dearly?
By this kind of chase I should hate him, for my father hated
his
father dearly; yet I hate not Orlando.
ROSALIND. No, faith, hate him not, for my sake.
CELIA. Why should I not? Doth he not deserve well?
Enter DUKE FREDERICK, with LORDS
Public-domain text, read in full here on John Shaqi.
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