France -- History -- Francis I, 1515-1547 -- Fiction
GISMONDO GADDI, a confrère of Del Moro.
CONTENTS
Chapter
I. The Street and the Studio
II. A Goldsmith of the Sixteenth Century
III. Dædalus
IV. Scozzone
V. Genius and Royalty
VI. To What Use A Duenna May Be Put
VII. A Lover and a Friend
VIII. Preparations for Attack and Defence
IX. Thrust and Parry
X. Of the Advantage of Fortified Towns
XI. Owls, Magpies, and Nightingales
XII. The King's Queen
XIII. Souvent Femme Varie
XIV. Wherein it is proven that Sorrow is
the Groundwork of the Life of Man
XV. Wherein it appears that Joy is nothing
more than Sorrow in another Form
XVI. A Court
XVII. Love as Passion
XVIII. Love as a Dream
XIX. Love as an Idea
ILLUSTRATIONS
Francis I
_Drawn by E. van Mughen._
Francis I. visits Benvenuto Cellini.
"Ascanio, beside himself with joy, fell on his
knees."
"'Your Majesty is losing your ring,' said
Anne."
"All the workmen joined in a cry of admiration."
ASCANIO
I
THE STREET AND THE STUDIO
Time, four o'clock in the afternoon of the tenth day of July in the year
of grace 1540. Place, the entrance to the church Des Grands Augustins,
within the precincts of the University, by the receptacle for holy water
near the door.
A tall, handsome youth, olive-skinned, with long waving locks and great
black eyes, simply but elegantly clad, his only weapon a little dagger
with a hilt of marvellous workmanship, was standing there, and,
doubtless from motives of pure piety and humility, had not stirred from
the spot throughout the vespers service. With head bowed in an attitude
of devout contemplation, he was murmuring beneath his breath I know not
what words,--his prayers let us hope,--for he spoke so low that none but
himself and God could hear what he might say. As the service drew near
its close, however, he raised his voice slightly, and they who stood
nearest him could hear these half-audible words:--
"How wretchedly these French monks drone out their psalms! Could they
not sing more melodiously before her, whose ear should be accustomed to
angels' voices? Ah! this is well; the vespers are at an end at last. Mon
Dieu! mon Dieu! grant that I be more fortunate to-day than on last
Sunday, and that she do at least raise her eyes to my face!"
Public-domain text, read in full here on John Shaqi.
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