France -- History -- Francis I, 1515-1547 -- Fiction
His eye had just fallen upon the statue of Hebe, and in the statue he
recognized Colombe.
"It is Hebe," replied Benvenuto, with glistening eyes; "it is the
goddess of youth. Do you think it beautiful, Ascanio?"
"Oh, wonderful! But those features: I know them, I cannot be mistaken!"
"Rash boy! Since you raise the veil half-way, I must needs snatch it
away altogether, and so, after all, your confidence will come after
mine. Sit down, Ascanio; you shall have my heart spread out before you
like an open book. You need me, you say: I, too, need that you should
hear me. I shall be relieved of a great weight when you know all."
Ascanio sat down, paler than the culprit about to listen to the reading
of the death sentence.
"You are a Florentine, Ascanio, and I do not need to ask you if you know
the story of Dante Alighieri. One day he saw a child named Beatrice
passing along the street, and he loved her. The child died and he loved
her still, for it was her soul that he loved and souls do not die; but
he crowned her with a crown of stars, and placed her in paradise. That
done, he set about analyzing human passions, sounding the depths of
poetry and philosophy; and when, purified by suffering and
contemplation, be readied the gates of heaven, where Virgil, that is,
Wisdom, was to leave him, he was not obliged to stop for lack of a
guide, because he found Beatrice, that is, Love, awaiting him on the
threshold.
"Ascanio, I have my Beatrice, dead like the other, and adored as she
was. This has been hitherto a secret between God and her and myself. I
am weak to resist temptation; but my adoration for her has remained
intact amid all the impure passions to which I have yielded. I had
placed my light too high for corruption to reach it. The man plunged
heedlessly into dissipation, the artist remained true to his mysterious
betrothal; and if I have done anything creditable, Ascanio,--if inert
matter, silver or clay, has been made to assume form and life under my
fingers, if I have sometimes succeeded in imparting beauty to marble and
life to bronze,--it has been because my resplendent vision has given me
counsel, support, and instruction for twenty years past.
"But I know not how it is, Ascanio: perhaps there is a distinction
between the poet and the goldsmith, between the moulder of ideas, and
the moulder of gold. Dante dreams: I need to see. The name of Maria is
all-sufficient to him; I must have before me the face of the Madonna. We
divine his creations; we touch mine. That perhaps is why my Beatrice was
not enough, or rather was too much for me, a sculptor. Her mind was ever
present with me, but I was compelled to seek the human form. The angelic
woman who shed a bright light upon my life had been beautiful, most
certainly, beautiful above all in the qualities of her heart, but she
did not realize the type of undying beauty upon which my imagination
dwelt. I found myself constrained therefore to seek elsewhere, to
invent.
Public-domain text, read in full here on John Shaqi.
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