France -- History -- Francis I, 1515-1547 -- Fiction
Indeed, there was an indescribable impression of life and power which
emanated from this remarkable personage, and attracted the attention
even of those who would have chosen to withhold it. He was a tall,
spare, powerful man of some forty years; but it would have needed the
chisel of Michel-Angelo or the pencil of Ribeira to trace the outline of
that clear-cut profile, to reproduce that sparkling olive complexion, to
depict that bold, almost kingly expression. His lofty forehead towered
above eyebrows quick to frown; his straight-forward piercing glance
flashed at times with a light that was almost sublime; his frank,
good-humored smile, albeit somewhat satirical, fascinated and awed you
at the same time; he was accustomed to stroke his black beard and
moustache with his hand, which was not precisely small, but nervous,
supple, with long fingers and great strength, but withal slender and
aristocratic; lastly, in his way of looking at you, speaking, turning
his head, in all his quick, expressive, but not intemperate gestures,
even in the careless attitude in which he was standing when Ascanio
entered, his strength made itself felt; the lion in repose was none the
less the lion.
Catherine and the apprentice working in the corner formed a most
striking contrast to each other. The latter, a sombre, taciturn fellow,
with a narrow forehead already furrowed with wrinkles, half shut eyes,
and compressed lips; she as blithe as a bird and blooming as a flower,
with the most mischievous of eyes always to be seen beneath her restless
eyelids, and the whitest of teeth within her mouth, constantly half
opened with a smile. The apprentice, buried in his corner, was slow and
languid in his movements, as if economizing his strength; Catherine was
here and there, going and coming, never remaining one second in one
spot, so did her youthful active organization overflow with life and
spirits, and feel the need of constant movement in default of
excitement.
Thus she was the fairy of the household, a very skylark by virtue of
her vivacity, and her clear, piercing note, beginning life with such a
joyous disregard of every thing beyond the moment as to fully justify
the surname of _Scozzone_ which the master had given her; an Italian
word which signified then, and still signifies, something very like
_casse-cou_ (break-neck). And yet, with all her childish ways, Scozzone
was so instinct with witchery and charm that she was the life and soul
of the household; when she sang all the others were silent; when she
laughed they laughed with her; when she ordered they obeyed without a
word,--albeit she was not ordinarily exacting in her caprice; and then
she was so frankly and innocently happy, that she diffused an atmosphere
of good humor wherever she went, and it made others glad to see her
gladness.
Public-domain text, read in full here on John Shaqi.
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