France -- History -- Francis I, 1515-1547 -- Fiction
"Ascanio, Ascanio!" cried Colombe, hiding her face against the young
man's shoulder; "my father also turns against me. Oh, simply to repeat
it kills me with shame! Where can I fly for shelter? Where but to your
arms, Ascanio? Yes, it is for you to save me now. Have you spoken to
your master, to Benvenuto, who is so strong and great and kindly,
judging by your description of him, and whom I love because you love
him?"
"Nay, do not love him, do not love him, Colombe!" cried Ascanio.
"Why not?" whispered the girl.
"Because he loves you, because, instead of the friend upon whom we
thought we could rely, he is one enemy the more we have to contend
against: an enemy, you understand, and the most formidable of all our
enemies. Listen."
Thereupon he told her how, as he was on the point of making a confidant
of Benvenuto, the goldsmith described to him his ideal love, and added
that the favorite sculptor of François I. by virtue of the king's word
of honor to which he had never proved false, could obtain whatever he
chose to ask after the statue of Jupiter was cast. As we know, the boon
that Benvenuto proposed to ask was Colombe's hand.
"O God! we have none to look to for succor but thee," said Colombe,
raising her white hands and her lovely eyes to heaven. "All our friends
are changed to enemies, every haven of refuge becomes a dangerous reef.
Are you certain that we are so utterly abandoned?"
"Only too certain," replied Ascanio. "My master is as dangerous to us as
your father, Colombe. Yes," he continued, wringing his hands, "I am
almost driven to hate him, Benvenuto, my friend, my master, my
protector, my father, my God! And yet I ask you, Colombe, why I should
hear him ill will? Because he has fallen under the spell to which every
exalted mind that comes in contact with yours must yield; because he
loves you as I love you. His crime is my own, after all. But you love
me, Colombe, and so I am absolved. What shall we do? For two days I have
been asking myself the question, and I do not know whether I begin to
detest him, or whether I love him still. He loves you, it is true; but
he has loved me so dearly, too, that my poor heart wavers and trembles
in its perplexity like a reed shaken in the wind. What will he do? First
of all, I shall tell him of Comte d'Orbec's designs, and I hope that he
will deliver us from them. But after that, when we find ourselves face
to face as enemies, when I tell him that his pupil is his rival,
Colombe, his will, which is omnipotent as fate, will perhaps be as
blind; he will forget Ascanio to think only of Colombe; he will turn his
eyes away from the man he once loved, to see only the woman he loves,
for I feel myself that between him and you I should not hesitate. I feel
that I would remorselessly sacrifice my heart's past for its future,
earth for heaven! And why should he act differently? he is a man, and to
renounce his love would be more than human. We must therefore, fight it
Public-domain text, read in full here on John Shaqi.
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