France -- History -- Francis I, 1515-1547 -- Fiction
He turned his attention to the beauties of nature in
the great landscapes of the Cabinet of Curiosities. In short, if we care
to take the measurement of his eminent talent, to consider the various
forms in which it found expression, and to reckon up its work, we shall
find that in ninety-eight large pictures and a hundred and thirty
smaller ones he has treated, one after another, landscapes, marine
views, historical, allegorical, and religious subjects, portraits, and
the themes of epic poetry.
He was, as may be seen, a man likely to appreciate Benvenuto; and so, as
soon as Benvenuto arrived at Paris, he ran to Primaticcio with open
arms, and was welcomed by him in the same temper.
After the first serious conversation between the two friends meeting
thus in a foreign land, Benvenuto opened his portfolio, imparted all his
ideas to Primaticcio, showed him all his sketches, and asked him if
there was any one of the models he was accustomed to use who fulfilled
the necessary conditions.
Primaticcio shook his head, smiling sadly. In truth, they were no longer
in Italy, the daughter of Greece and rival of her mother. France was in
those days, as it is to-day, the land of grace, and prettiness, and
coquetry; but in vain would one have sought in the domain of the Valois
that imperious loveliness which inspired the genius of Michel-Angelo and
Raphael, of John of Bologna and Andrea del Sarto, on the banks of the
Tiber and the Arno. To be sure, if the painter or sculptor had been at
liberty to choose a model at will among the aristocracy, he would soon
have found the types he sought; but like those shades which are detained
on this side of the Styx, he was perforce content to see those noble,
lovely forms, the constant objects of his artistic aspirations, pass
over into the Elysian Fields which he was forbidden to enter.
It turned out as Primaticcio anticipated: Benvenuto passed in review his
whole army of models, and saw not one who seemed to combine all the
qualities essential for the work of which he was dreaming.
Thereupon he caused all the Venuses at a crown the sitting whose names
were furnished him to be summoned to the Cardinal of Ferrara's palace,
where he was installed, but none of them fulfilled his expectations.
Public-domain text, read in full here on John Shaqi.
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