Ashcliffe Hall: A tale of the last centuryHolt, Emily Sarah
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Ashcliffe Hall: A tale of the last century
Holt, Emily Sarah
England -- Social life and customs -- 18th century -- Fiction; Historical fiction; Religious fiction
"If I was you, Mrs. Celia, I wouldn't trouble, my dear. Very like
nobody'll ever come after you; and if they did, why, a grown lady
like you might sure say where you'd be--without your own father and
mother asked you; I'd never counsel you to go again them; though it
would be a sore job parting from you, to be sure. You see, my dear,
you've lived here nineteen years, and never a word said."
"But that man, Cicely!" said Celia, under her breath.
"Well, that man, my dear," repeated Cicely doubtfully, "he's very
like of no kin to you, only somebody as knowed who you be."
"He was a Papist," said Celia, in the same tone. "But even so,
Cicely, should I make no search for my father and mother? I am
theirs, whoever they were; even if they were Papists." And the
handkerchief came out openly.
"Cry it out, my dear; you'll be all the better for it after. And if
you'll list me, Mrs. Celia, you'll never trouble no more about this
by yourself, but just go and tell the Lord all about it. He knows
who they be, child, and He made you their child, knowing it. And, my
dear, I do find 'tis no good to carry a burden to the Lord, so long
as I just get up and lift it on again. I'm very much given to
lifting on again, Mrs. Celia, and perchance you be. But when I find
that, why, I just go and go again, till I can lay it down and come
away without it. Takes a deal of going sometimes, that do! But what
would you think of me, if I says, 'Mrs. Celia, you carry this linen
up-stairs, if you please;' and then goes and walks off with it
myself?"
Old Cicely's homely illustration was just what Celia wanted.
"Thank you, Cicely," she said; "I will try to leave the burden
behind."
Father Cuthbert Stevens sat in his lodging at Moreton, complacently
turning over the contents of his portfolio. To his landlady he had
told the same tale as to Squire Passmore, representing himself as an
artist in the employ of Sir Godfrey Kneller; and had, to her
thinking, verified his story beyond all doubt, by producing in
part-payment of his debt a new shop-sign, representing a very fat and
amiable-looking lion, standing on one leg, the other three paws
flourishing in the air, while the eyes of the quadruped were fixed on
the spectator. Mrs. Smith considered it a marvellous work of art,
and cut off a large slice of Mr. Stevens' bill accordingly. Mr.
Stevens passed his sketches slowly in review, tearing up the greater
part, and committing them to the safe custody of the fire. But when
he came to the staircase at Ashcliffe, he quietly placed that in
security in a special pocket of the portfolio. He was too wise to
speak his thoughts aloud; but had he done so he would have said:
"I have not done with this yet. To-morrow I propose to pay a visit
to Marcombe, and this will secure me an unsuspected entrance into Mr.
Rowe's family, where I may obtain some further information, on which
a little paper and lead will be well spent."
Public-domain text, read in full here on John Shaqi.
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