Asiatic Cholera: A treatise on its origin, pathology, treatment, and cureWhitney, Elijah
History
Asiatic Cholera: A treatise on its origin, pathology, treatment, and cure
Whitney, Elijah
Cholera
Their pestilential character, their extended influence, and their great
fatality, rendered their appearance and progress a special terror to
physicians, and melancholy apprehension to the people. They seem to
have been regarded as the manifestation of an invisible power, which
directed and guided "the pestilence that walketh in darkness" and "the
destruction that wasteth at noon-day;" a visitation or chastisement
over which human ingenuity and medical skill had little control. Under
these impressions, the earlier physicians labored and endeavored to
satisfy the great mass of mind that these occasional and special
developments of disease arose from natural causes, and were subject to
certain natural laws. They ascribed their origin to the commingling of
some specific poison in the food, and drink, and air, which, through
these "media," was received into the system.
Subsequently, they seem to have made some advance on this theory, and
considered the extreme Summer heat--especially the intense heat of the
sun in a dry season--the emanations from stagnant waters, and the miasm
exhaled from the soil, and from putrid bodies of animals, as the chief
causes of all epidemics. These views prevailed for a very long period,
and have undergone no very remarkable change from the observations and
discoveries of centuries.
Modern and quite recent writers have advanced nearly the
same doctrines, embracing, however, the principal sources of
insalubrity--the malarious and miasmatic influences; and have assigned
as the cause of epidemics, especially that of Cholera, a peculiar
constitution of the atmosphere, and certain predisposing causes
combining with each other, so that an association or union of these two
independent and individual causes are necessary and essential to the
production of the disease.
Public-domain text, read in full here on John Shaqi.
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