The head of this graceful Cupid was enveloped in a sort of turban of red crape, relieved by a plume of cock's and peacock's feathers. Round his neck was a collar of yellow cloth, upon which were embroidered divers patterns of necklaces and earrings. He wore a short white satin gown, or tunic, encircled about the middle by a large band of parchment of the same colour, covered with talismanic characters. On the gown, also, were painted various bodices, beautifully adapted for the display of the fair wearers' necks; scarfs of different patterns, worked or coloured aprons, and head-dresses of the newest fashion;--all so extravagant, that it was impossible to admire one more than another. [Illustration: Detail of the cloak: the Spanish lady and her admirer] But all this was nothing as compared with his cloak, the foundation of which was also white satin. Its exterior presented an infinity of figures delicately tinted in Indian ink, and yet with so much freedom and expression that you would have wondered who the devil could have painted it. On one side appeared a Spanish lady covered with her mantilla, and leering at a stranger on the promenade; and on the other a Parisian grisette, who before her mirror was studying new airs to victimize a young abbé, at that moment opening the door. Here, the gay Italian was singing to the guitar beneath the balcony of his mistress; and there, the sottish German, with vest unbuttoned, stupefied with wine, and more begrimed with snuff than a French petit-maître, was sitting, surrounded by his companions, at a table covered with the filthy remnants of their debauch. In one place could be perceived a Turkish bashaw coming from the bath, attended by all the houris of his seraglio, each watchful for the handkerchief; and in another an English gentleman, who was gallantly presenting to his lady-love a pipe and a glass of porter. [Illustration: The gamesters] Besides these there were gamesters, marvellously well portrayed; some, elated with joy, filling their hats with pieces of gold and silver; and others, who had lost all but their honour, and willing to stake on that, now turning their sacrilegious eyes to heaven, and now gnawing the very cards in despair. In short, there were as many curious things to be seen on this cloak as on the admirable shield which Vulcan forged for Achilles, at the prayer of his mother Thetis; with this difference however,--the subjects on the buckler of the Grecian hero had no relation to his own exploits, while those on the mantle of Asmodeus were lively images of all that is done in this world at his suggestion. CHAPTER II. WHAT FOLLOWED THE DELIVERANCE OF ASMODEUS.