Pure and exquisite as the breath of woman with teeth like pearls, as
fragrant as the rose of Cashmere, it sang, now jocund, now sad, as the
moods of love-sick Radha; plaintively yearning as an appeal to love in
the stillness of the starless night; joyous and eager as the meeting of
desirous lips; languishing as the woman’s heart fainting under the first
kiss of the loved; it redoubled powerful, passionate as the march of the
conquering male who has subdued. Abruptly it altered the rhythm as if
awakening in readiness for battle, with the clamor of an army lusting
for carnage, with the clank of swords, the discordant clash of shields,
armors and spears, the dull thud of shattered bones and skulls, vehement
imprecations, deep blasphemies, full of rancor, hatred and vengeance.
[Illustration: YAMA]
Then succeeded a silence, heavy, full of terrible signs, as of a silent
flapping of wings, of a roaming of untold shadows, blacker than the night.
It repeated the death-song of the jackal and the hyena, with its
harassing, fiendish chorus, pursuing in a mad dance with strange rhythms,
the lively reel of the black scavengers on the silent and pale corpses.
Then it died out, purling and gurgling as life ebbs out of a tortured
body from a deep and crimson wound.
Pity and compassion returned to the song, gently, caressingly, as if
nursing multiple wounds, infusing sympathy and life, like the wind, which
laden with coolness and fragrance, sweeps over an arid and desolate
valley.
It broke into a chant, strong and overwhelming, and so irresistible that
it was as a strain of Perfect Joy; persevered tenfold, omnipotent, with
a note so true, so deep and so infinite that it was like a sip of the
Amrita, blissful and oblivious.
All the gods encircled Asneha, instinctively, irresistibly, as the cobras
surround the snake-charmer when he plays to them his captivating melody.
[Illustration]
They stared at him fixedly as if to get the sound from its original
source, and when he had ended they stood one instant stock-still, dumb,
overflowing with admiration and ecstasy. Then they all pressed around
him, speaking and shouting confusedly like ordinary mortals. But a
hush fell over the assemblage as the great Indra slowly made his way
to Asneha, and for a while stood absorbed and pensive, looking at the
musician.
He then spoke with his clear, sonorous voice: “Asneha! Verily thou hast
made thy daring boast good, therefore thou shalt become immortal too!
“I cannot offer thee what is earthly, for thou canst acquire all earthly
things with thy song. But I have created a gem which comprises all the
harmonies, all the melodies of music in color. It is ever changing, ever
beautiful and imperishable as are your songs. Take it, and delight with
it the mortals!”
To the kneeling Asneha he extended his palm, where scintillated, luminous
and irradiating as a perfect song, the Opal.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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