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Aspects and Impressions
By
Edmund Gosse, C.B.
D.Litt. of Cambridge University; LL.D. of St. Andrews
Cassell and Company, Ltd
London, New York, Toronto and Melbourne
1922
To
My Friend
JOHN C. SQUIRE
Poet, Editor, and Critic
These Essays are mainly reprinted from _The Edinburgh Review_, _The
London Mercury_, _The Modern Languages Review_, and _The Fortnightly
Review_. "Malherbe and the Classical Reaction" was the Taylorian Lecture
at Oxford for 1920, and is included here by the courtesy of the
authorities of the University.
Contents
PAGE
GEORGE ELIOT 1
HENRY JAMES 17
SAMUEL BUTLER 55
A NOTE ON CONGREVE 77
THE FIRST DRAFT OF SWINBURNE'S "ANACTORIA" 87
THE HÔTEL DE RAMBOUILLET 97
MALHERBE AND THE CLASSICAL REACTION 123
THE FOUNDATION OF THE FRENCH ACADEMY 145
ROUSSEAU IN ENGLAND IN THE NINETEENTH CENTURY 169
THE CENTENARY OF LECONTE DE LISLE 193
TWO FRENCH CRITICS: EMILE FAGUET--REMY DE GOURMONT 203
THE WRITINGS OF M. CLEMENCEAU 225
A VISIT TO THE FRIENDS OF IBSEN 247
FAIRYLAND AND A BELGIAN ARIOSTO 261
SOME RECOLLECTIONS OF LORD WOLSELEY 273
INDEX 291
Aspects and Impressions
GEORGE ELIOT
In and after 1876, when I was in the habit of walking from the
north-west of London towards Whitehall, I met several times, driven
slowly homewards, a victoria which contained a strange pair in whose
appearance I took a violent interest. The man, prematurely ageing, was
hirsute, rugged, satyr-like, gazing vivaciously to left and right; this
was George Henry Lewes. His companion was a large, thickset sybil,
dreamy and immobile, whose massive features, somewhat grim when seen in
profile, were incongruously bordered by a hat, always in the height of
the Paris fashion, which in those days commonly included an immense
ostrich feather; this was George Eliot. The contrast between the
solemnity of the face and the frivolity of the headgear had something
pathetic and provincial about it.
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