Persons of this fortunate temperament store up an endless stock of good
faith wherewith to face the teller of wonderful tales. And of all those
to whom they listen, still, after three hundred years, Spenser is the
most irresistible enchanter. It has always been admitted that his poetry
is the most "poetical" that can be met with; that is to say, that it is
the least mingled with elements which are not of the very essence of
poetry. More than all other writers, Spenser takes us out of our
everyday atmosphere into a state of things which could not be foreseen
by any cleverness of our own reflection. He is easily supreme in the
cosmogony of his enchantments. He confessed that his verse was no
"matter of just memory," and it is evident that he did not wish it to
be. He simply resigned himself to the exquisite pleasure of being lost
in the mazes of a mysterious and fabulous woodland.
The poets, in successive ages, have delighted in bearing witness to this
witchery of _The Faerie Queene_. There is no instance of this more
pleasingly expressed, nor more appropriate to our argument, than that of
Cowley, who says, in his delicious essay _Of Myself_: "There was wont
to lie in my mother's parlour (I know not by what accident, for she
herself never in her life read any book but of devotion), but there was
wont to lie Spenser's Works. This I happened to fall upon (before I was
twelve years old), and was infinitely delighted with the stories of the
knights and giants and monsters and brave houses, which I found
everywhere there--though my understanding had little to do with all
this--and by degrees with the tinkling of the rhyme and dance of the
numbers." We may doubt whether the child Cowley had not more of a man's
taste than the man Cowley had of the heart of a child; but, at all
events, he entered with exactly the proper spirit into that miraculous
country where "birds, voices, instruments, winds, waters, all agree."
And it is in this spirit that hundreds of the elect have read the
marvellous poem in successive ages, and will continue to read it until
time itself has passed away.
Public-domain text, read in full here on John Shaqi.
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