His outward appearance developed in accordance with his moral and
intellectual expansion. I have said that in early life Henry James was
not "impressive"; as time went on his appearance became, on the
contrary, excessively noticeable and arresting. He removed the beard
which had long disguised his face, and so revealed the strong lines of
mouth and chin, which responded to the majesty of the skull. In the
breadth and smoothness of the head--Henry James became almost wholly
bald early in life--there was at length something sacerdotal. As time
went on, he grew less and less Anglo-Saxon in appearance and more Latin.
I remember once seeing a Canon preaching in the Cathedral of Toulouse
who was the picture of Henry James in his unction, his gravity, and his
vehemence. Sometimes there could be noted--what Henry would have hated
to think existing--a theatrical look which struck the eye, as though he
might be some retired _jeune premier_ of the Français, _jeune_ no
longer; and often the prelatical expression faded into a fleeting
likeness to one or other celebrated Frenchman of letters (never to any
Englishman or American), somewhat of Lacordaire in the intolerable
scrutiny of the eyes, somewhat of Sainte-Beuve, too, in all except the
mouth, which, though mobile and elastic, gave the impression in rest of
being small. All these comparisons and suggestions, however, must be
taken as the barest hints, intended to mark the tendency of Henry
James's radically powerful and unique outer appearance. The beautiful
modelling of the brows, waxing and waning under the stress of
excitement, is a point which singularly dwells in the memory.
It is very difficult to give an impression of his manner, which was
complex in the extreme, now restrained with a deep reserve, now suddenly
expanding, so as to leave the auditor breathless, into a flood of
exuberance. He had the habit of keeping his friends apart from one
another; his intimacies were contained in many watertight compartments.
He disliked to think that he was the subject of an interchange of
impressions, and though he who discussed everybody and everything with
the most penetrating and analysing curiosity must have known perfectly
well that he also, in his turn, was the theme of endless discussion, he
liked to ignore it and to feign to be a bodiless spectator. Accordingly,
he was not apt to pay for the revelations, confidences, guesses and what
not which he so eagerly demanded and enjoyed by any coin of a similar
species. He begged the human race to plunge into experiences, but he
proposed to take no plunge himself, or at least to have no audience when
he plunged.
Public-domain text, read in full here on John Shaqi.
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