eastward was imperative, and in August, 1905, he was back again safe in
the silence of Lamb House.
Throughout the following autumn and winter he was, as he said,
"squeezing out" his American impressions, which did not flow so easily
as he had hoped they would. Many other enterprises hung temptingly
before him, and distracted his thoughts from that particular occupation.
Moreover, just before his plan for visiting the United States had taken
shape, he had promised to write for a leading firm of English publishers
"a romantical-psychological-pictorial-social" book about London, and in
November, 1905, he returned to this project with vivacity. There is a
peculiar interest about works that great writers mean to compose and
never succeed in producing, and this scheme of a great picturesque book
about London is like a ghost among the realities of Henry James's
invention. He spoke about it more often and more freely than he did
about his solid creations; I feel as though I had handled and almost as
though I had read it. Westminster was to have been the core of the
matter, which was to circle out concentrically to the City and the
suburbs. Henry James put me under gratified contribution by coming
frequently to the House of Lords in quest of "local colour," and I took
him through the corridors and up into garrets of the Palace where never
foreign foot had stepped before. There was not, to make a clean breast
of it, much "local colour" to be wrung out, but Henry James was
indefatigable in curiosity. What really did thrill him was to stand
looking down from one of the windows of the Library on the Terrace,
crowded with its motley afternoon crew of Members of both Houses and
their guests of both sexes. He liked that better than to mingle with the
throng itself, and he should have written a superb page on the scene,
with its background of shining river and misty towers. Alas! it will not
be read until we know what songs the Sirens sang.
Public-domain text, read in full here on John Shaqi.
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