Borrow affected a certain disdain for the laudation which would not come
his way, and in later life seemed to have relinquished any desire to
move in the mouths of men. But Butler never ceased to long for fame, and
probably to expect it. Towards the close of his life, whenever he was
asked what new work might be expected from his ingenious pen, he used to
look demure and answer, "I am editing my remains; I wish 'to leave
everything in order for my executors.'" This was looked upon as a joke,
but it turns out to have been strictly true. No one ever laboured more
to appear at his best--in strict accordance with truth, but still, at
his best--to the world after his decease. His assiduities were like
those of the dying Narcissa--
And Betty, give those cheeks a little red,
One wouldn't, sure, look horrid when one's dead!
He recovered as many of his own letters as he could and annotated them;
he arranged the letters of his friends; he copied, edited, indexed, and
dated all this mass of correspondence, and he prepared those "Notes"
which have since his death provided his admirers with their choicest
repast. In doing all this he displayed an equal _naïveté_ and
enthusiasm. Mr. Festing Jones, to whom all this industry has of course
been invaluable, puts the matter in a nutshell when he says that Butler
"was not contemplating publication, but neither was he contemplating
oblivion." He was simply putting the rouge-pot within Betty's reach.
Here is Butler's own account of the matter, and it throws a strong light
upon his character:
People sometimes give me to understand that it is a piece of
ridiculous conceit on my part to jot down so many notes about
myself, since it implies a confidence that I shall one day be
regarded as an interesting person. I answer that neither I nor they
can form any idea as to whether I shall be wanted when I am gone or
no. The chances are that I shall not.
But he was not inclined to take any risks. He was the residuary of his
own temperament, and if by chance posterity were to wake up and take a
violent interest in him, he personally would be to blame, and would
incur a very serious responsibility, if there were no documents
forthcoming to satisfy the curiosity of the new generation. It is to his
frank response to this instinct of self-preservation that we owe the
very exhaustive and faithful narrative of Mr. Festing Jones, as we did
the precious "Note-books" of 1912.
Public-domain text, read in full here on John Shaqi.
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