We gather that the sound judgment and the exquisite charm of Madame de
Rambouillet attracted Malherbe away from the other _salons_ which he
affected, particularly from those of the Vicomtesse d'Aulchy and of
Madame des Loges. It was the latter lady whose ears the grim poet
soundly boxed in her own house on a celebrated occasion. He was a
formidable guest as well as a tyrant in literature.
But the relations of Malherbe with Madame de Rambouillet during the last
ten years of his life were kept on a level of unruffled dignity on the
one side and on the other. It is evident that the Marquise was
predisposed to accept _la Doctrine_ which Malherbe, with so splendid a
force and pride, was about to impose upon his countrymen. No man of
letters has lived, in any country, who was more possessed than he by the
necessity of watching over the purity of language, of cultivating in
prose and verse a simple, lucid, and logical style, of removing from the
surface of literature, by an arrogant discipline, all traces of
obscurity, pomposity and looseness. He held the honour of the French
language above all other obligations, and the stories of his sacrificing
questions of personal interest, and even affection, to his passion for
correct diction, for a noble manner of writing and speaking, are
eloquent of the austere and dry genius of this masterful rather than
charming poet, who, nevertheless, had so profound and so lasting an
influence on French letters. Such a man as this, fanatically possessed
by an abstract ambition, needs the sympathy of a wise and beneficent
woman, and the old Malherbe, in the twilight of his days, found such an
Egeria in Catherine de Rambouillet. It was in the Hôtel that the famous
discussions on the value, selection, and meaning of words, on nobility
in eloquence, on purity and force in versification, first took place,
and the heat from them radiated through France. The new era of style
found its cradle in the Chambre Bleue.
Public-domain text, read in full here on John Shaqi.
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