Aspects of the novelForster, E. M. (Edward Morgan)
History
Aspects of the novel
Forster, E. M. (Edward Morgan)
English fiction -- History and criticism; Fiction -- Technique
ii. The air of the parlour being faint with the smell of sweet cake, I
looked about for the table of refreshments; it was scarcely visible
until one had got accustomed to the gloom, but there was a cut-up plum
cake upon it, and there were cut-up oranges, and sandwiches, and
biscuits, and two decanters that I knew very well as ornaments, but had
never seen used in all my life; one full of port, and one of sherry.
Standing at this table, I became conscious of the servile Pumblechook in
a black cloak and several yards of hat-band, who was alternately
stuffing himself, and making obsequious movements to catch my attention.
The moment he succeeded, he came over to me (breathing sherry and
crumbs) and said in a subdued voice, "May I, dear sir?" and did.
These two funerals did not by any means happen on the same day. One is
the funeral of Mr. Polly's father (1920), the other the funeral of Mrs.
Gargery in _Great Expectations_ (1860). Yet Wells and Dickens are
describing them from the same point of view and even using the same
tricks of style (cf. the two vases and the two decanters). They are,
both, humorists and visualizers who get an effect by cataloguing details
and whisking the page over irritably. They are generous-minded; they
hate shams and enjoy being indignant about them; they are valuable
social reformers; they have no notion of confining books to a library
shelf. Sometimes the lively surface of their prose scratches like a
cheap gramophone record, a certain poorness of quality appears, and the
face of the author draws rather too near to that of the reader. In other
words, neither of them has much taste: the world of beauty was largely
closed to Dickens, and is entirely closed to Wells. And there are other
parallels--for instance their method of drawing character, but that we
shall examine later on. And perhaps the great difference between them is
the difference of opportunity offered to an obscure boy of genius a
hundred years ago and to a similar boy forty years ago. The difference
is all in Wells' favour. He is far better educated than his predecessor;
in particular the addition of science has strengthened his mind out of
recognition and subdued his hysteria. He registers an improvement in
society: Dotheboys Hall has been superseded by the Polytechnic. But he
does not register any change in the novelist's art.
What about our next pair?
Public-domain text, read in full here on John Shaqi.
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