Aspects of the novelForster, E. M. (Edward Morgan)
History
Aspects of the novel
Forster, E. M. (Edward Morgan)
English fiction -- History and criticism; Fiction -- Technique
Flat characters were called "humours" in the seventeenth century, and
are sometimes called types, and sometimes caricatures. In their purest
form, they are constructed round a single idea or quality: when there is
more than one factor in them, we get the beginning of the curve towards
the round. The really flat character can be expressed in one sentence
such as "I never will desert Mr. Micawber." There is Mrs. Micawber--she
says she won't desert Mr. Micawber, she doesn't, and there she is. Or:
"I must conceal, even by subterfuges, the poverty of my master's house."
There is Caleb Balderstone in _The Bride of Lammermoor_. He does not use
the actual phrase, but it completely describes him; he has no existence
outside it, no pleasures, none of the private lusts and aches that must
complicate the most consistent of servitors. Whatever he does, wherever
he goes, whatever lies he tells or plates he breaks, it is to conceal
the poverty of his master's house. It is not his idée fixe, because
there is nothing in him into which the idea can be fixed. He is the
idea, and such life as he possesses radiates from its edges and from the
scintillations it strikes when other elements in the novel impinge. Or
take Proust. There are numerous flat characters in Proust, such as the
Princess of Parma, or Legrandin. Each can be expressed in a single
sentence, the Princess's sentence being, "I must be particularly careful
to be kind." She does nothing except to be particularly careful, and
those of the other characters who are more complex than herself easily
see through the kindness, since it is only a by-product of the
carefulness.
One great advantage of flat characters is that they are easily
recognized whenever they come in--recognized by the reader's emotional
eye, not by the visual eye, which merely notes the recurrence of a
proper name. In Russian novels, where they so seldom occur, they would
be a decided help. It is a convenience for an author when he can strike
with his full force at once, and flat characters are very useful to him,
since they never need reintroducing, never run away, have not to be
watched for development, and provide their own atmosphere--little
luminous disks of a pre-arranged size, pushed hither and thither like
counters across the void or between the stars; most satisfactory.
Public-domain text, read in full here on John Shaqi.
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