Asphodel : $b a novelBraddon, M. E. (Mary Elizabeth)
General
Asphodel : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
‘I couldn’t think of taking such a liberty with Miss Martha,’
returned the stranger; ‘the freemasonry of art puts me at my ease
with you. Would you mind sitting quiet for half an hour or so? That
semi-recumbent position will do beautifully.’
He sketched in rock and figure as he spoke, with a free facile touch
that showed a practised hand.
‘I’m sure you can paint beautifully,’ said Daphne, watching his pencil
as he sat a little way off, glancing up at her every now and then.
‘Wait till you see how I shall interpret your lilies and roses. I ought
to be as good a colourist as Rubens or John Phillip to do you justice.’
She had fallen into a reposeful attitude after finishing her meal, her
arms folded on the rock, her head resting on the folded arms, her eyes
gazing sleepily at the sunlit valley in front of her, one little foot
pendent from the edge of the greenish gray stone, the other tucked
under her dark blue skirt, a mass of yellow tresses falling over one
dark blue shoulder, and a scarlet ribbon fluttering on the other.
Martha Dibb looked more and more horrified. Could there be a lower deep
than this? To sit for one’s portrait to an unknown artist in a shabby
coat. The man was unquestionably a vagabond, although he did not make
havoc of his aspirates like poor dear papa; and Daphne was bringing
disgrace on Madame Tolmache’s whole establishment.
‘Suppose I should meet him in Regent Street one day after I leave
school, and he were to speak to me, what would mamma and Jane say?’
thought Miss Dibb.
CHAPTER II.
‘AND THIS WAS GLADLY IN THE EVENTIDE.’
Daphne was as still as a statue, her vanity gratified by this homage
to her charms. There had been nobody to admire her at Asnières but the
old music-master, into whose hat she had sometimes put a little bouquet
from the trim suburban garden, or a spray of acacia from the grove that
screened the maiden meditations of Madame Tolmache’s pupils from the
vulgar gaze of the outside world. She retained her recumbent attitude
patiently for nearly an hour, half asleep in the balmy afternoon
atmosphere, while the outraged Martha sat on her rock apart, digging
her everlasting crochet-hook into the fluffy mass of wool, and saying
never a word.
The stranger was nearly as silent as Martha. He was working
industriously at his sketch, and smoking his cigar as he worked, having
first ascertained that the ladies were tolerant of the weed. He painted
in a large dashing style that got over the ground very quickly, and
made a good effect. He had nearly finished his sketch of the figure
on the rock—the indigo gown, scarlet ribbon, bright hair, and dark
luminous eyes, when Daphne jumped up suddenly, and vowed that her every
limb was an agony to her.
‘I couldn’t endure it an instant longer!’ she exclaimed. ‘I hope you’ve
finished.’
‘Not quite; but you may change your attitude as much as you like if
you’ll only keep your head the same way. I am working at the face now.’
Public-domain text, read in full here on John Shaqi.
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