Asphodel : $b a novelBraddon, M. E. (Mary Elizabeth)
General
Asphodel : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
XXVIII. ‘LOVE IS NOT OLD, AS WHAN THAT IT IS NEW’ 305
XXIX. ‘I MEANE WELL, BY GOD THAT SIT ABOVE’ 319
XXX. ‘THER WAS NO WIGHT, TO WHOM SHE DURSTE PLAIN’ 330
XXXI. ‘I WOLDE LIVE IN PEES, IF THAT I MIGHT’ 342
XXXII. ‘FOR LOVE AND NOT FOR HATE THOU MUST BE DED’ 349
XXXIII. ‘IS THERE NO GRACE? IS THERE NO REMEDIE?’ 358
XXXIV. ‘SENS LOVE HATH BROUGHT US TO THIS PITEOUS END’ 373
ASPHODEL
CHAPTER I.
‘AND SHE WAS FAIR AS IS THE ROSE IN MAY.’
‘Oh, you glorious old Sol, how I love you!’ cried Daphne.
It was a day on which common mortals were almost fainting with the
heat, puffing and blowing and complaining—a blazing midsummer-day;
and even here, in the forest of Fontainebleau, where the mere idea
of innumerable trees was suggestive of shadow and coolness, the heat
was barely supportable—a heavy slumberous heat, loud with the hum of
millions of insects, perfumed with the breath of a thousand pines.
Daphne revelled in the fierce sunshine—she threw back her crest of
waving hair, bright as yellow gold, she smiled up at the cloudless
blue, she looked unwinkingly even at Sol himself, the mighty
unquenchable king of the sky, glorious yonder in his highest heaven.
She was lying at full length on a moss-grown block of stone at the
top of a hill, which was one of the highest points in the forest, a
hill-top overlooking on one side a fair sweep of champagne country,
fertile valleys, church steeples, village roofs, vineyards and rose
gardens, and winding streams; and on the other side, woodlands
stretching away into infinite distance, darkly purple.
It was the choicest spot in a forest which, at its best, is a poor
thing compared with the immemorial growth of an old English wood. Here
there are no such oaks and beeches as our Hampshire forest can show—no
such lovely mystical glades—no such richness of undergrowth. Everything
seems of yesterday, save here and there a tree that looks as if he had
seen something of bygone generations, and here and there a wreck of an
ancient oak, proudly labelled ‘The Great Pharamond,’ or ‘_Le Chêne de
Henri IV._,’ with a placard hung round his poor old neck to say that
he is not to be damaged ‘on pain of amend.’ Such Pharamonds and Henris
abound in the forest where Rufus was killed, and nobody heeds them. The
owls build in them, the field-mice find shelter in them, the woodpecker
taps at them, unscared by placards or the threat of an amend.
Public-domain text, read in full here on John Shaqi.
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