Asphodel : $b a novelBraddon, M. E. (Mary Elizabeth)
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Asphodel : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
After luncheon they all sat idly looking down at the distant lake,
lying so far beneath their feet, like a pool of blue water in the
hollow of the hills, or wandered a little here and there, searching
out higher points from which to look down at the lake, or across to
the cloud-wrapped Alps. As the day wore on the light western breeze
dropped and died away, and there came the stillness of a sultry August
afternoon, just such an atmosphere as that of the lotus-eaters’ isle,
the land where it was always afternoon.
Aunt Rhoda, who had lunched more copiously than the others, succumbed
to the enervating influence of summer. The outline antimacassar
on which she had been diligently stitching a design of infantine
simplicity—a little girl with a watering-pot, a little boy with an
umbrella—dropped from her hands. The blue lake below winked at her in
the sunshine like a Titanic eye. The soft sweet breath of the pines
gratified her nostrils, and that delicious sense of being gently baked
through and through in Nature’s slow oven finally overcame her, and she
sank into a thoroughly enjoyable slumber, a sleep in which she knew she
was sleeping, and tasted all the blessedness of repose.
Daphne sat on a knoll a little way below her aunt, struggling with a
sunflower, heartily tired of it all the time, and painfully oppressed
by the consciousness of three hundred and fifty-one sunflowers
remaining to be done after this one.
‘It is like the line of the Egyptian kings,’ she murmured with a sigh.
‘An endless procession—too stupendous for the imagination to grasp.’
Edgar, stretched at the feet of his adored, had fallen as fast asleep
as Aunt Rhoda. Madoline and Gerald had wandered off to the higher
grounds. They were going to the Col du Jaman for anything Daphne knew
to the contrary.
This particular sunflower now approaching a finish seemed the most
irritating of all his tribe. Daphne tightened her thread, pulled it
into a knot, boggled at the knot, lost patience, and threw the work
aside in a rage.
‘Who could do crewel-work on such a stifling day?’ she cried, looking
angrily down at the lake, with its girdle of towns and villages,
gardens and vineyards; looking angrily even at picturesque Chillon,
with its mediæval turrets and drawbridge, angrily at the calm,
snow-shrouded Dent du Midi, and the dark green hills around its base.
Then, having explored the wide landscape with eyes blind for this
moment to its beauty, she looked discontentedly at the reclining form
at her feet, the faithful lover, slumbering serenely, oblivious of
wasps and centipedes.
‘A log,’ she muttered to herself, ‘a log. Blind and deaf! Good; yes, I
know he is good, and I try to value him for his goodness; but oh, how
weary I am—how weary—how weary!’
Public-domain text, read in full here on John Shaqi.
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