Assassination of Lincoln: a History of the Great Conspiracy: Trial of the Conspirators by a Military Commission, and a Review of the Trial of John H. SurrattHarris, T. M. (Thomas Mealey)
History
Assassination of Lincoln: a History of the Great Conspiracy: Trial of the Conspirators by a Military Commission, and a Review of the Trial of John H. Surratt
Harris, T. M. (Thomas Mealey)
Lincoln, Abraham, 1809-1865 -- Assassination; Surratt, John H. (John Harrison), 1844-1916
About ten o'clock Booth rode up the alley back of the theatre where
he had been accustomed to keep his horse, and having reached the rear
entrance, called for Ned three times, each time a little louder than
before. At the third call Ned Spangler answered to his summons by
appearing at the door. Booth's first salutation was in the form of a
question: "Ned, you will help me all you can, won't you?" To which
Spangler replied, "Oh, yes!" Booth then requested him to send "Peanuts"
(a boy employed about the theatre), to hold his horse. Spangler gave
the boy orders to do this, and upon the boy making the objection that
he might be out of place at the time he had a duty to perform, Spangler
bade him go, saying that he would stand responsible for him. The boy
then took the reins, and held the horse for about half an hour, until
Booth returned to reward him with a curse and a kick, as he jerked the
rein from him preparatory to remounting for his flight. After entering
the theatre, Booth passed rapidly across the stage, glancing at the
box occupied by his intended victim, and looking up his accomplices,
he passed out of the front door on to the walk where he was met by two
of his fellow conspirators. One of these was a low, villainous-looking
fellow, whilst the other was a very neatly-dressed man. Booth
held a private conference with these by the door where he and the
vulgar-looking fellow had stationed themselves. The neatly-dressed man
crossed the walk to the rear of the President's carriage and peeped
into it. One of the witnesses, who was sitting on the platform in front
of the theatre, had his attention arrested by the manner and conduct of
these men, and so watched them very closely.
Public-domain text, read in full here on John Shaqi.
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