He sat in a small half-darkened booth well over in the corner--the man with the strangely glowing blue-green eyes. The booth was one of a score that circled the walls of the "Maori Hut," a popular night club in the San Fernando Valley some five miles over the hills from Hollywood. It was nearly midnight. Half a dozen couples danced lazily in the central dancing space. Other couples remained tête-à-tête in the secluded booths. In the entire room only two men were dining alone. One was the slender gray-haired little man with the weirdly glowing eyes. The other was Blair Gordon, a highly successful young attorney of Los Angeles. Both men had the unmistakable air of waiting for someone. Blair Gordon's college days were not so far distant that he had yet lost any of the splendid physique that had made him an All-American tackle. In any physical combat with the slight gray-haired stranger, Gordon knew that he should be able to break the other in two with one hand. Yet, as he studied the stranger from behind the potted palms that screened his own booth. Gordon was amazed to find himself slowly being overcome by an emotion of dread so intense that it verged upon sheer fear. There was something indescribably alien and utterly sinister in that dimly seen figure in the corner booth. The faint eery light that glowed in the stranger's deep-set eyes was not the lambent flame seen in the chatoyant orbs of some night-prowling jungle beast. Rather was it the blue-green glow of phosphorescent witch-light that flickers and dances in the night mists above steaming tropical swamps. The stranger's face was as classically perfect in its rugged outline as that of a Roman war-god, yet those perfect features seemed utterly lifeless. In the twenty minutes that he had been intently watching the stranger, Gordon would have sworn that the other's face had not moved by so much as the twitch of an eye-lash. * * * * * Then a new couple entered the Maori Hut, and Gordon promptly forgot all thought of the puzzlingly alien figure in the corner. The new arrivals were a vibrantly beautiful blond girl and a plump, sallow-faced man in the early forties. The girl was Leah Keith, Hollywood's latest screen sensation. The man was Dave Redding, her director. A waiter seated Leah and her escort in a booth directly across the room from that of Gordon. It was a maneuver for which Gordon had tipped lavishly when he first came to the Hut. A week ago Leah Keith's engagement to Blair Gordon had been abruptly ended by a trivial little quarrel that two volatile temperaments had fanned into flames which apparently made reconciliation impossible. A miserably lonely week had finally ended in Gordon's present trip to the Maori Hut. He knew that Leah often came there, and he had an overwhelming longing to at least see her again, even though his pride forced him to remain unseen.