It was during the last three days of Passion Week that the votaries of solar worship performed their severest penance. Besides fasting and prayer, the more devout flagellated and slashed themselves and others with knives and thongs, and carried heavy crosses up steep acclivities. In all ultra-Catholic countries the priests, in imitation of the ancient custom, expose in the churches figures representing the dead Saviour, over which the laity, especially the women, weep and mourn; and the more devout men cut and slash themselves, and each other, with knives and thongs; and, in imitation of the imaginary tramp of Jesus with his cross up Calvary's rugged side, bear heavy crosses up steep acclivities. Passion Plays. Anciently dramas representing the passion of incarnate saviours, called Passion plays, were enacted upon the stage. The most celebrated of these divine tragedies, known as Prometheus Bound, and composed by the Greek poet AEschylus, was played at Athens 500 years before the beginning of the Christian era. To show that this sin-atoning saviour was not chained to a rock, while vultures preyed upon his vitals, as popularly taught, but was nailed to a tree; we quote front Potter's translation of the play, that passage which, readily recognized as the original of a Christian song, reads as follows: "Lo, streaming from the fatal tree, His all atoning blood: Is this the infinite? 'Tis he-- Prometheus and a God. Well might the sun in darkness hide, And veil his glories in, When God the great Prometheus died For man, the creature's sin." The veiling of the sun, as represented in these plays, having reference to the imaginary sympathy expressed by God Sol for the sufferings of his incarnate son, was shown upon the stage by shading the lights. The monks of the Middle Ages enacted plays representing the passion of the Christian Saviour, and the Bavarian peasantry, perpetuating this custom, perform the play every tenth year. Resurrection and Easter Festival. In conformity to the ancient teachings, the incarnate saviours, considered as figuratively dead for the space of three days at the Vernal Equinox, or 21st of March, were raised to newness of life after the expiration of that time. Hence, the 25th of March, without regard to the day of the week, was celebrated as the anniversary of the Vernal resurrection. On the morning of this day it was the custom of the astrologers to say to the mourners assembled in the temples, "Be of good cheer, sacred band of initiates; your God has risen from the dead, his pains and his sufferings shall be your salvation." Another form of this admonition, quoted from an ancient poem in reference to the Phoenician Tammuz, reads as follows: