Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical InstrumentsServiss, Garrett Putman
Science
Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical Instruments
Serviss, Garrett Putman
Astronomy
Don't buy a cheap glass, but don't waste your money on fancy mountings.
What the Rev. T. W. Webb says of telescopes is equally true of
opera-glasses: "Inferior articles may be showily got up, and the outside
must go for nothing." There are a few makers whose names, stamped upon
the instrument, may generally be regarded as a guarantee of excellence.
But the best test is that of actual performance. I have a field-glass
which I found in a pawn-shop, that has no maker's name upon it, but in
some respects is quite capable of bearing comparison with the work of
the best advertised opticians. And this leads me to say that, by the
exercise of good judgment, one may occasionally purchase superior
glasses at very reasonable prices in the pawn-shops. Ask to be shown the
old and well-tried articles; you may find among them a second-hand glass
of fine optical properties. If the lenses are not injured, one need not
trouble one's self about the worn appearance of the outside of the
instrument; so much the more evidence that somebody has found it well
worth using.
A good field or marine glass is in some respects better than an
opera-glass for celestial observations. It possesses a much higher
magnifying power, and this gives sometimes a decided advantage. But, on
the other hand, its field of view is smaller, rendering it more
difficult to find and hold objects. Besides, it does not present as
brilliant views of scattered star-clusters as an opera-glass does. For
the benefit of those who possess field-glasses, however, I have included
in this brief survey certain objects that lie just beyond the reach of
opera-glasses, but can be seen with the larger instruments.
I have thought it advisable in the descriptions of the constellations
which follow to give some account of their mythological origin, both
because of the historical interest which attaches to it, and because,
while astronomers have long since banished the constellation figures
from their maps, the names which the constellations continue to bear
require some explanation, and they possess a literary and romantic
interest which can not be altogether disregarded in a work that is not
intended for purely scientific readers.
CHAPTER I.
THE STARS OF SPRING.
Having selected your glass, the next thing is to find the stars. Of
course, one could sweep over the heavens at random on a starry night and
see many interesting things, but he would soon tire of such aimless
occupation. The observer must know what he is looking at in order to
derive any real pleasure or satisfaction from the sight.
Public-domain text, read in full here on John Shaqi.
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