The Via Garibaldi is astir to-day. From the Ponte Veneta Marina, next
the caffè of the same name--it is but a step--to the big iron gates of
the Public Gardens, is a moving throng of Venetians, their chatter
filling the soft September air. Flags are waving--all kinds of flags,
and of all colors; gay lanterns of quaint patterns are festooned from
window to window; old velvets and rare stuffs, some in rags and tatters,
so often have they been used, stream out from the balconies crowded with
pretty Venetians shading their faces with their parasols as they watch
the crowds below. In and out of this mass of holiday-makers move the
pedlers crying their wares, some selling figs, their scales of polished
brass jingling as they walk; some with gay handkerchiefs and scarfs
draped about their trays; here and there one stands beside a tripod
holding a big earthen dish filled with _fulpi_--miniature devil-fish
about as big as a toad--so ugly that no man, however hungry, except,
perhaps, a Venetian, dares swallow one with his eyes open.
Along this stretch of waving flags, gay-colored lanterns, and joyous
people, are two places where the throngs are thickest. One is the Caffè
Veneta Marina, its door within a cigarette's toss of the first step of
the curving bridge of the same name, and the other is the Caffè Beneto,
a smaller caffè farther down the wide street--wide for Venice. The Caffè
Veneta Marina contains but a single room level with the street, and on
gala days its tables and chairs are pushed quite out upon the marble
flags. The Caffè Beneto runs through to the waters of the Grand Canal
and opens on a veranda fitted with a short flight of steps at which the
gondolas often land their passengers.
These two caffès are the headquarters of two opposing factions of
gondoliers, enemies for centuries, since the founding of their guild, in
fact--the Nicolletti, whose caps in the old days were black, and the
Castellani, whose caps were red. The first were publicans, renowned for
their prowess with the oar, but rough and outspoken, boastful in
victory, bitter in defeat. The second were aristocrats, serving the Doge
and often of great service to the State--men distinguished for their
courtesy as well as for their courage. These attributes have followed
these two guilds down to the present day.
Every year when the leaves of the sycamores in the Public Gardens fade
into brown gold, and the great dome of the Salute, glistening like a
huge pink pearl, looms above the soft September haze that blurs the
water line, these two guilds--the Nicolletti and Castellani--meet in
combat, each producing its best oarsmen.
To-day the course is from the wall of the Public Gardens to the Lido and
back. Young Francesco Portera, the idol of the shipyards, a big-boned
Venetian, short-armed and strong, is to row for the Nicolletti, and
Luigi Zanaletto, a man near twice his age, for the Castellani.
Public-domain text, read in full here on John Shaqi.
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