John appeared and dropped an armful of clean split silver-backed birch
logs in a heap on the hearth, remarking as he bobbed his head
good-night, "Guess you won't freeze," and left by the same exit as the
clerk, a breath of the North Pole being puffed into the cosey room as he
opened and shut the door.
There are times when to me it is a delight to be left alone. I
invariably experience it when I am sketching. I often have this feeling,
too, when my study door is shut and I am alone with my work and books. I
had it in an increased degree this night, with the snow drifting
outside, the wind fingering around the windows seeking for an entrance,
and the whole world sound asleep except myself. It seemed good to be
alone in the white stillness. What difference did the time of night
make, or the place, or the storm, or the morrow and what it might bring,
so long as I could repeat in a measure the comforts and privacy of my
own dear den at home?
I began to put my house in order. The table with the pitcher and goblets
was drawn up by the side of the sofa; two easy chairs moved into
position, one for my feet and one for my back, where the overhanging
electric light would fall conveniently, and another log thrown on the
fire, sending the crisp blazing sparks upward. My fur overcoat was next
hung over the chair with the fur side out, the grip opened, and the
several comforts one always carries were fished out and laid beside the
ice-pitcher--my flask of Private Stock, a collar-box full of cigars,
some books and a bundle of proof with a special delivery stamp--proofs
that should have been revised and mailed two days before. These last
were placed within reach of my hand.
When all was in order for the master of the house to take his ease, I
unscrewed the top of the flask, and with the help of the pitcher and the
goblet compounded a comfort. Then I lighted a cigar and began a tour of
the room. The windows were banked up with the drift; through the
half-blinded panes I could see the flickering gas jets and on the snow
below them the disks of white light. Beyond these stretched a ruling of
tracks edged by a bordering of empty yard-cars, then a waste of white
ending in gloom. The only sounds were the creaking of the depot signs
swaying in the wind and the crackle of the logs on my hearth--_mine_ now
in the isolation, as was everything else about me. Next I looked between
the wooden spindles of the fenced-in ticket office, and saw where the
clerk worked and how he kept his pens racked up and the hook on which he
hung his hat and coat, and near it the news-stand locked tight, only the
book posters showing over the top, and so on back to my fire and into my
fur-lined throne. Then, with a sip of P. S., I picked up my proof sheets
and began to work.
Public-domain text, read in full here on John Shaqi.
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