seems to shed on my own problems; how subtle, how appreciative it is!" Then the process of discovery begins. Instead of the fair distant city, all spires and towers, which we discerned in the distance in a sort of glory, we find that there are crooked lanes, muddy crossings, dull market-places, tiresome houses. Odd misshapen figures, fretful and wearied, plod through the streets or look out at windows; here is a ruin, with doleful creatures moping in the shade; we overturn a stone, and blind uncanny things writhe away from the light. We begin to reflect that it is after all much like other places, and that our fine romantic view of it was due to some accident of light and colour, some transfiguring mood of our own mind; and then we set out in search of another city which we see crowning a hill on the horizon, and leave the dull place to its own commonplace life. But to begin with comradeship is to explore the streets and lanes first; and then day by day, as we go up and down in the town, we become aware of its picturesqueness and its charm; we realise that it has an intense and eager life of its own, which we can share as a dweller, though we cannot touch it as a visitor; and so the wonder grows, and the patient love of home. And we have surprises, too: we enter a door in a wall that we have not seen before, and we are in a shrine full of fragrant incense-smoke; the fallen day comes richly through stained windows; figures move at the altar, where some holy rite is being celebrated. The truth is that a friendship cannot be formed in the spirit of a tourist, who is above all in search of the romantic and the picturesque. Sometimes, indeed, the wandering traveller may become the patient and contented inhabitant; but it is generally the other way, and the best friendships are most often those that seem at first sight dully made for us by habit and proximity, and which reveal to us by slow degrees their beauty and their worth. * * * * * *