“There is a difference between learning to love and continuing to love,”
said Mabel, sententiously. “But we have had enough of useless talk,
aunt. In two days more Winston will be here. Until then, let matters
remain as they are. You can tell Rosa as much or as little as you like
of what has happened. She must suspect that something has gone awry.
To-morrow, I will look up this Mr. Jenkyns, and deliver the messages
with which I am charged--likewise consult the mason about the 'baronial'
fireplace,” smiling bitterly.
“You never saw another creature so altered as she is,” Mrs. Sutton
bewailed to Rosa, in rehearsing the scene. “If this thing should turn
out to be true, she is ruined and heart-broken for life. She will
become a cold, cynical, unfeeling woman--a feminine copy of her granite
brother.”
“If!” reiterated Rosa, testily. “There is not one syllable of truth in
it from Alpha to Omega! I know he is your nephew, and that it is one af
the Medo-Persian laws of Ridgeley that the king can do no wrong; but
I would sooner believe that Winston Aylett invented the slander
throughout, than question Fred Chilton's integrity. There is foul play
somewhere, as you will discover in time--or out of it!”
To Mabel, Frederic's spirited champion said never a word of the event
that held their eyes waking until dawn--each motionless as sleepless
lest her bed fellow should discover her real state.
“I have had no share in causing the rupture. I am not called upon to
heal it,” meditated she. “In this, the law of self-preservation is my
surest guide.”
Her resolve to remain neutral was sharply and unexpectedly tested the
next afternoon.
The two girls went out for a ramble about four o'clock, taking the
beaten foot-path that led through cultivated fields, and between wooded
hills, to a small post-town two miles distant. The day was sunless, but
not chilly, and when they had outwalked the hearing of the murmur of
rural life that pervaded the barnyard and adjacent “quarters,” the
silence was oppressive, except when broken by the whirr of a partridge,
the melancholy caw of the crows, scared from their feast upon the
scattered grains knocked from over-ripe ears of corn during the recent
“fodder-pulling,” and, as they neared it, by the fretting of a rapid
brook over its stony bottom.
Public-domain text, read in full here on John Shaqi.
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