At Sundown, and other poems: Part 5 from Volume IV of The Works of John Greenleaf WhittierWhittier, John Greenleaf
General
At Sundown, and other poems: Part 5 from Volume IV of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
For the bass-relief by Preston Powers, carved upon the huge boulder
in Denver Park, Col., and representing the Last Indian and the Last
Bison.
The eagle, stooping from yon snow-blown peaks,
For the wild hunter and the bison seeks,
In the changed world below; and finds alone
Their graven semblance in the eternal stone.
LYDIA H. SIGOURNEY.
Inscription on her Memorial Tablet in Christ Church at Hartford, Conn.
She sang alone, ere womanhood had known
The gift of song which fills the air to-day
Tender and sweet, a music all her own
May fitly linger where she knelt to pray.
MILTON
Inscription on the Memorial Window in St. Margaret's Church,
Westminster, the gift of George W. Childs, of America.
The new world honors him whose lofty plea
For England's freedom made her own more sure,
Whose song, immortal as its theme, shall be
Their common freehold while both worlds endure.
THE BIRTHDAY WREATH
December 17, 1891.
Blossom and greenness, making all
The winter birthday tropical,
And the plain Quaker parlors gay,
Have gone from bracket, stand, and wall;
We saw them fade, and droop, and fall,
And laid them tenderly away.
White virgin lilies, mignonette,
Blown rose, and pink, and violet,
A breath of fragrance passing by;
Visions of beauty and decay,
Colors and shapes that could not stay,
The fairest, sweetest, first to die.
But still this rustic wreath of mine,
Of acorned oak and needled pine,
And lighter growths of forest lands,
Woven and wound with careful pains,
And tender thoughts, and prayers, remains,
As when it dropped from love's dear hands.
And not unfitly garlanded,
Is he, who, country-born and bred,
Welcomes the sylvan ring which gives
A feeling of old summer days,
The wild delight of woodland ways,
The glory of the autumn leaves.
And, if the flowery meed of song
To other bards may well belong,
Be his, who from the farm-field spoke
A word for Freedom when her need
Was not of dulcimer and reed.
This Isthmian wreath of pine and oak.
THE WIND OF MARCH.
Up from the sea, the wild north wind is blowing
Under the sky's gray arch;
Smiling, I watch the shaken elm-boughs, knowing
It is the wind of March.
Between the passing and the coming season,
This stormy interlude
Gives to our winter-wearied hearts a reason
For trustful gratitude.
Welcome to waiting ears its harsh forewarning
Of light and warmth to come,
The longed-for joy of Nature's Easter morning,
The earth arisen in bloom.
In the loud tumult winter's strength is breaking;
I listen to the sound,
As to a voice of resurrection, waking
To life the dead, cold ground.
Between these gusts, to the soft lapse I hearken
Of rivulets on their way;
I see these tossed and naked tree-tops darken
With the fresh leaves of May.
This roar of storm, this sky so gray and lowering
Invite the airs of Spring,
A warmer sunshine over fields of flowering,
The bluebird's song and wing.
Public-domain text, read in full here on John Shaqi.
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