At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
CHAPTER VII. MEDITERRANEAN NIGHTS
Intricate and vivid detail leave a more startling imprint on the
memory-film than the main purport of any great adventure, whether it be
a polar expedition, a new discovery, or such a stupendous undertaking as
that in which we were now involved.
The fact of our departure had been carefully kept quiet, and our
destination was unknown. It might have been a secret expedition in
search of buried treasure. Yet, in spite of all precaution, we might be
torpedoed at any moment and go down with all hands, or strike a mine and
be blown up. We knew that victory or defeat were hanging in the balance,
and perhaps the destiny of nations. But while the magnitude of the
venture has left no impression--I cannot recall that we ever spoke about
it--commonplace details remain.
The pitch bubbling in the seams under a Mediterranean sun; the queer
iridescent shapes of glowing, greenish phosphorus in the nighttime sea;
the butter melting into yellow oil on the plate on the saloon table;
the sickly smell of steam and grease and oil from the engine-room; the
machine gun fixed at the stern with its waterproof hood; the increasing
brilliance of the stars, and the rapid descent of evening upon the
splendid colour-prism of a Mediterranean sunset--these, and thousands of
other intimate commonplaces, are inlaid for ever in my mind.
We went about in our shirts and drill “slacks,” and the scorching
boards of the deck blistered our naked feet. In a few days we became
sun-tanned. Each one of us had a sunburnt V-shaped triangle on the chest
where we left our shirts open.
The voyage was uneventful. The food was poor. There was very little
fresh water to drink. It was July. The heat was fatiguing, and the
sun-glare blinding.
The coast of Algeria on our right looked bare and terribly forsaken.
It had an awfulness about it--a mystery look; it looked like a “juju”
country, with its sandy spit running like a narrow ribbon to the blue
sea, and its hazy, craggy mountains quivering in the noonday heat.
Hawk and I were in the habit of coming up from our bunks in the
evening. We used to lean over the handrail and watch the wonder of
a Mediterranean sunset transform in schemes of peacock-blue and
beetle-green, down and down, through emerald, pale gold and lemon
yellow, and so to the horizon of the inland sea, in bands of deep chrome
and orange, scarlet, mauve and purple.
Hawk was the only man I discovered in all those hundreds of apparently
commonplace souls who could really appreciate and never tire of watching
and discussing these things.
I had often heard of the blue of the Mediterranean. But I must confess
that I rather thought it had been exaggerated by authors, artists and
poets as a fruitful and beautiful source of inspiration.
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