At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war. — John Shaqi
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
That night was dark, with no stars. I didn't know what part of Gallipoli
we were in, and the maps issued were useless.
The first cases had been picked up close to the firing-line, and were
mostly gun-shot wounds, and now--late in the evening--all my squads
having worked four miles to the beach, I was trying to get my own
direction back to the ambulance.
The Turks seldom fired at night, so that it was only the occasional
shot of a British rifle, or the sudden “pop-pop-pop-pop-pop!” of a
machine-gun which told me the direction of the firing-line.
I trudged on and on in the dark, stumbling over rocks and slithering
down steep crags, tearing my way through thorns and brambles, and
sometimes rustling among high dry grass.
Queer scents, pepperminty and sage-like smells, came in whiffs. It was
cold. I must have gone several miles along the Kapanja Sirt when I came
to a halt and once more tried to get my bearings. I peered at the gloomy
sky, but there was no star. I listened for the lap-lap of water on the
beach of Suvla Bay, but I must have been too far up the ridges to hear
anything. There was dead silence. When I moved a little green lizard
scutted over a white rock and vanished among the dead scrub.
I was past feeling hungry, although I had eaten one army biscuit in the
early morning and had had nothing since.
It was extraordinarily lonely. You may imagine how queer it was, for
here was I, trying to get back to my ambulance headquarters at night on
the first day of landing--and I was hopelessly lost. It was impossible
to tell where the firing-line began. I reckoned I was outside the
British outposts and not far from the Turkish lines. Once, as I went
blundering along over some rocks, a dark figure bolted out of a bush and
ran away up the ridge in a panic.
“Halt!” I shouted, trying to make believe I was a British armed sentry.
But the figure ran on, and I began to stride after it. This led me
up and up the ridge over very broken ground. Whoever it was (it was
probably a Turkish sniper, for there were many out night-scouting) I
lost sight and sound of him.
I went climbing steadily up till at last I found myself looking into
darkness. I got down on my hands and knees and peered over the edge of a
ridge of rock. I could see a tiny beam of light away down, and this
beam grew and grew as it slowly moved up and up till it became a great
triangular ray. It swept slowly along the top of what I now saw was
a steep precipice sloping sheer down into blackness below. One step
further and I should have gone hurtling into the sea. For, although I
did not then know it, this was the topmost ridge of the Kapanja Sirt.
The great searchlight came nearer and nearer, and I slid backwards and
lay on my stomach looking over. The nearer it came the lower I moved,
so as to get well off the skyline when the beam reached me. It may have
been a Turkish searchlight. It swept slowly, slowly, till at last it was
turned off and everything was deadly black.
Public-domain text, read in full here on John Shaqi.
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