At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war. — John Shaqi
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.Hargrave, John
History
At Suvla Bay: Being the notes and sketches of scenes, characters and adventures of the Dardanelles campaign, made by John Hargrave ("White Fox") while serving with the 32nd field ambulance, X division, Mediterranean expeditionary force, during the great war.
Hargrave, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula -- Personal narratives, British; World War, 1914-1918 -- Medical care; World War, 1914-1918 -- Personal narratives, British
The cook and an orderly man remained, and we heard from them the details
of the mystery.
Early that morning they had formed up, and gone off under Lieutenant
S--- along the mule track overlooking the Gulf of Saros. That was all.
There was still hope, of course... but there wasn't a sign of them to
be seen. The machine-gun section had seen them pass right along. Some
officers had warned them not to go up, but they went and they never came
back.
There were rumours that one of the N.C.O.'s of the party, a sergeant,
had been seen lying on some rocks.
“Just riddled with bullets--riddled!”
The hours dragged on. I begged of the adjutant to let me go off along
the ridge on my own to see if I could find any trace.
“It's too dangerous,” he said. “If I thought there was half a chance I'd
go with you, but we don't want to lose any more.”
Those ten or twelve men went out of our lives completely. Days passed.
There was no news. It was queer. It was queer when I called the roll
next day--
“Briggs!”--“Sar'nt!”
“Boots!”--“Sarn't!”
“Cudworth!”--“Here, Sar'nt!”
“Dean!”--“Sar'nt!”
“Desmond!”--“Sar'nt!”
“D---.”
I couldn't remember not to call his name out. It seemed queer that he
was missing. It seemed quite hopeless now. Three or four days dragged
on. Everything continued as usual. We went up past the place where we
had left them, and there was no news, no sign. They just vanished. No
one saw them again, and except for the “riddled” rumour of the poor old
sergeant the whole thing was a blank.
We supposed that the young officer, coming fresh to the place, did not
know where the British lines ended and the Turks' began, and he marched
his squads into that bit of No Man's Land beyond the machine-gun near
“Jefferson's Post,” and was either shot or taken prisoner.
It made the men heavy and sad-minded.
“Poor old Mellor--'e warn't a bad sort, was he!”
“Ah!--an' Bell, Sergeant Bell... riddled they say... some one seen
'm--artillery or some one!”
It hung over them like a cloud. The men talked of nothing else.
“Somebody's blundered,” said one.
“It's a pity any'ow.”
“It's a disgrace to the ambulance--losin' men like that.”
And, also, it made the men nervous and unreliable. It was a shock.
CHAPTER XVII. “OH, TO BE IN ENGLAND!”
It may be that I have never grown up properly. I'm a very poor hand at
pretending I'm a “grown man.”
Impressions of small queer things still stamp themselves with a clear
kodak-click on my mind--an ivory-white mule's skull lying in the sand
with green beetles running through the eye-holes... anything--trivial,
childlike details.
I remember reading an article in a magazine which stated that under
fire, and more especially in a charge, a man moves in a whirl of
excitement which blots out all the small realities around him, all the
“local colour.” He remembers nothing but a wild, mad rush, or the tense
intensity of the danger he is in.
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