WHEN one at the back of the north wind wanted to know how things were
going with any one he loved, he had to go to a certain tree, climb the
stem, and sit down in the branches. In a few minutes, if he kept very
still, he would see something at least of what was going on with the
people he loved.
One day when Diamond was sitting in this tree, he began to long very
much to get home again, and no wonder, for he saw his mother crying.
Durante says that the people there may always follow their wishes,
because they never wish but what is good. Diamond's wish was to get
home, and he would fain follow his wish.
But how was he to set about it? If he could only see North Wind! But the
moment he had got to her back, she was gone altogether from his sight.
He had never seen her back. She might be sitting on her doorstep still,
looking southwards, and waiting, white and thin and blue-eyed, until she
was wanted. Or she might have again become a mighty creature, with
power to do that which was demanded of her, and gone far away upon many
missions. She must be somewhere, however. He could not go home without
her, and therefore he must find her. She could never have intended to
leave him always away from his mother. If there had been any danger of
that, she would have told him, and given him his choice about going. For
North Wind was right honest. How to find North Wind, therefore, occupied
all his thoughts.
In his anxiety about his mother, he used to climb the tree every day,
and sit in its branches. However many of the dwellers there did so, they
never incommoded one another; for the moment one got into the tree, he
became invisible to every one else; and it was such a wide-spreading
tree that there was room for every one of the people of the country
in it, without the least interference with each other. Sometimes, on
getting down, two of them would meet at the root, and then they would
smile to each other more sweetly than at any other time, as much as to
say, “Ah, you've been up there too!”
Public-domain text, read in full here on John Shaqi.
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