At the Court of the Amîr: A NarrativeGray, John Alfred
History
At the Court of the Amîr: A Narrative
Gray, John Alfred
'Abd al-Rahman Khan, Amir of Afghanistan, -1901; Afghanistan -- History
“A gun is loaded with powder and shot, the trigger is pulled, the cap
flashes and the gun explodes. The men of this country are the guns;
they are loading themselves with a poison rising from the earth by
breathing it constantly, the malarial poison. A slight shock, the chill
of the wind, brings about the explosion, and fever seizes them.”
His Highness seemed struck by the plausibility of this explanation, and
presently he said,
“Darûst, darûst, it is right!”
He asked me several other questions, but I am sorry I have forgotten
what they were.
[Sidenote: The Dining-room.]
The room we sat in looked not unlike an English drawing-room. The
windows, however, were different. They were wider than English windows
generally are: the larger ones were filled with plain glass, the
smaller with coloured glass; over the lower part of one large window
was a sort of fretwork of wood, which, as the light was reflected from
the snow outside, was rather a relief to the eye than otherwise. The
door panels and the window jambs were somewhat elaborately carved: they
were neither painted nor polished. Draped over the doors and by the
side of the windows were silk curtains of different colours. The floor
was covered with Persian and Turkestan rugs. The walls were white, and
the ceiling decorated rather crudely with colours. The ceiling sloped
up on each side to a beam, supported at each end by a slender wooden
column carved in distinct imitation of a Corinthian column, but not
fluted. Ranged against the wall were two or three arm-chairs covered
with velvet, and some small tables with writing materials, vases, and
lamps upon them. The table-covers were mostly of velvet embroidered
with gold: one or two were Indian. In the middle of one wall was what
looked like a white “overmantel,” though there was no fireplace. This
was more Oriental in appearance than the rest of the room, the keynote
of the decoration being the Saracenic arch. [Illustration: Saracenic
arch] On the shelves and in the recesses of this were small ornaments
and vases of various kinds. Below this decorative arrangement, and in
the position usually occupied by the fireplace, was a table covered
with heavily embroidered velvet, and on it were two lamps and several
brass candlesticks with many branches, each holding a wax candle, so
that the whole looked rather like an altar in a High church. In the
window that had fretwork over it was arranged a bank of flowers in
flower-pots. The centre of the room was clear, except that exactly in
the middle was a large brass brazier filled with glowing charcoal.
At the far end of the room, away from the Amîr, were seated,
cross-legged on the ground, the chief officers of the army, with the
exception of the Commander-in-Chief, who was ill.
At about two o’clock in the afternoon the Durbar was over, the
petitioners and disputants disposed of, and His Highness arose. We all
stood up.
Public-domain text, read in full here on John Shaqi.
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