With reference to the reason of this growth it is of importance to note that experiments, consisting in the application of artificial heat to the chrysales of the swallow-tail and sailor-butterfly, demonstrated that by this means "the fore-wing is drawn out more toward the outer wing-vein, and the rim of the fore-wing becomes more elongated and curved." It is observed, however, that the natural heat-forms of the same genera and species, namely, the summer-forms and those which live in the warm southern climate, exhibit, for instance, in the case of butterflies akin to the sailor, the same features, the elongation and more marked curvature of the fore-rim of the fore-wings and the consequent more extended form, that are produced by the action of artificial heat. Manifestly this is a matter of vital importance for the solution of the question: heat, whether artificial or natural, produces a difference in growth, which results in a change of form and coloring. There is consequently no room for natural selection or the struggle for existence. The leaf-like form is generally associated with the dark, faded colors of dry leaves, and when this similarity disappears even bright colors appear on the fore-wings. In many cases the resemblance to leaves is very imperfect; different forms of the same species live side by side and among them are to be found those, the resemblance of which to leaves is extremely slight. All these facts, and especially the frequently recurring retrogression of the leaf-like appearance, justify serious doubt regarding the Darwinian assumption, that adaptation was a necessity for the forest-butterflies on account of the protection which it provided. An eye witness furthermore declares that the butterflies that resemble leaves most closely do not always alight on withered leaves, on which they would be almost invisible, but frequently rest on a green background, against which they show off very clearly, and therefore could not long escape the keen eye of birds. Besides, these butterflies are but seldom pursued by the birds, of which there is question here, and hence are in no need of protection. The longer Eimer devoted his attention to the origin of this resemblance the more "the poetic picture of the imitated leaf" vanished out of sight, and he became convinced that it involved the necessary expression of the lines of development, which the respective beings were bound to follow, and that there was no question of imitation.