"Every fair day I spent afield, and my little black horse and load of cameras, ropes, and ladders became a familiar sight to the country folk of the Limberlost, in Rainbow Bottom, the Canoper, on the banks of the Wabash, in woods and thickets and beside the roads; but few people understood what I was trying to do, none of them what it would mean were I to succeed. Being so afraid of failure and the inevitable ridicule in a community where I was already severly criticised on account of my ideas of housekeeping, dress, and social customs, I purposely kept everything I did as quiet as possible. It had to be known that I was interested in everything afield, and making pictures; also that I was writing field sketches for nature publications, but little was thought of it, save as one more, peculiarity, in me. So when my little story was finished I went to our store and looked over the magazines. I chose one to which we did not subscribe, having an attractive cover, good type, and paper, and on the back of an old envelope, behind the counter, I scribbled: Perriton Maxwell, 116 Nassau Street, New York, and sent my story on its way. "Then I took a bold step, the first in my self-emancipation. Money was beginning to come in, and I had some in my purse of my very own that I had earned when no one even knew I was working. I argued that if I kept my family so comfortable that they missed nothing from their usual routine, it was my right to do what I could toward furthering my personal ambitions in what time I could save from my housework. And until I could earn enough to hire capable people to take my place, I held rigidly to that rule. I who waded morass, fought quicksands, crept, worked from ladders high in air, and crossed water on improvised rafts without a tremor, slipped with many misgivings into the postoffice and rented a box for myself, so that if I met with failure my husband and the men in the bank need not know what I had attempted. That was early May; all summer I waited. I had heard that it required a long time for an editor to read and to pass on matter sent him; but my waiting did seem out of all reason. I was too busy keeping my cabin and doing field work to repine; but I decided in my own mind that Mr. Maxwell was a 'mean old thing' to throw away my story and keep the return postage. Besides, I was deeply chagrined, for I had thought quite well of my effort myself, and this seemed to prove that I did not know even the first principles of what would be considered an interesting story. "Then one day in September I went into our store on an errand and the manager said to me: 'I read your story in the Metropolitan last night. It was great! Did you ever write any fiction before?' "My head whirled, but I had learned to keep my own counsels, so I said as lightly as I could, while my heart beat until I feared he could hear it: 'No. Just a simple little thing! Have you any spare copies? My sister might want one.'