That more than 2,000,000 readers have found pleasure and profit in Mrs.
Porter's books is a cause for particular gratification. These stories
all have, as a fundamental reason of their existence, the author's
great love of nature. To have imparted this love to others--to have
inspired many hundreds of thousands to look for the first time with
seeing eyes at the pageant of the out-of-doors--is a satisfaction that
must endure. For the part of the publishers, they began their business
by issuing "Nature Books" at a time when the sale of such works was
problematical. As their tastes and inclinations were along the same
lines which Mrs. Porter loved to follow, it gave them great pleasure to
be associated with her books which opened the eyes of so great a public
to new and worthy fields of enjoyment.
The history of "Freckles" is unique. The publishers had inserted
marginal drawings on many pages, but these, instead of attracting
attention to the nature charm of the book, seemed to have exactly a
contrary effect. The public wanted a novel. The illustrations made it
appear to be a nature book, and it required three long slow years for
"Freckles" to pass from hand to hand and prove that there really was a
novel between the covers, but that it was a story that took its own
time and wound slowly toward its end, stopping its leisurely course for
bird, flower, lichen face, blue sky, perfumed wind, and the closest
intimacies of the daily life of common folk. Ten years have wrought a
great change in the sentiment against nature work and the interest in
it. Thousands who then looked upon the world with unobserving eyes are
now straining every nerve to accumulate enough to be able to end life
where they may have bird, flower, and tree for daily companions.
Public-domain text, read in full here on John Shaqi.
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